1x01 - Legacy of the Warrens

[Prue Brianna Johnna Halliwell]

DESTINED LEGACY

SEASON 1, EPISODE 1

'LEGACY OF THE WARRENS'

TEASER

BLACK SCREEN

IT READS:

2111

OVER BLACK.

FADE IN:

INT. HALLIWELL MANOR - ATTIC - NIGHT

BAREFOOT. Her foot revealed her age. Long gone are those years when power was guaranteed as well as her youth.

She passes the entrance and walks straight towards the trunk. Slowly. No rush. Her white nightgown hides all the scars she gained all those years ago. The scars that wouldn't let her forget who she was. Heiress to the greatest of powers.

CAMERA MOVES UP SLOWLY - As she moves towards the trunk, it is revealed the face of one of the most powerful witches that ever walked on Earth. Heiress of the Power of Three. Daughter of the Twice Blessed Witches. A Charmed One. Her long hair is now all white, but her blue eyes remained the same despite all the wrinkles around them.

ON HER FACE - Jo Halliwell. She smiles as a memory pops into her mind.

Jo reaches the trunk, sits next to it, and opens it slowly. She's not young anymore. But she made a promise.

ON INSIDE THE TRUNK - Her wrinkled hands reach the book that lays on the bottom of the trunk next to some journals and a small wooden box with the initials P.H. engraved.

Jo takes the heavy Book of Shadows in her hands. She smiles as she stares at it with nostalgia in her eyes.

JO

(melancholic)

So many years!

Her voice is deeper than before. She runs her fingers through the split Triquetra.

JO (CONT'D)

I'm sorry I wasn't able to keep it together.

She opens the cover of the heavy book. And turns one page after another.

ON THE BOOK OF SHADOWS - Blank pages.

JO (CONT'D)

Someday it'll be whole again. Our magic will return. I know it.

Jo closes the book and puts it back into the trunk.

JO (CONT'D)

But it won't be me doing it.

(smiles)

No. I'm too old.

ON INSIDE THE TRUNK - She reaches the small wooden box and takes it out.

JO (CONT'D)

P. H.

(sighs)

Mom.

A tear runs down her face.

JO (CONT'D)

I made a promise to you once. Don't let evil win.

(another tear)

I tried my best, mom. It hasn't won. It's not over yet. There's still hope.

Jo takes her hands to her chest and takes a folded paper from the nightgown pocket. It is an old piece of paper.

JO (CONT'D)

They'll be prepared someday. I am sure. I wish I was strong enough to do it myself, but I can't. I just need to trust they will find this and meet their destiny someday. I know they'll recover our magic and embrace the Power of Three.

Jo opens the small box.

ON THE SMALL WOODEN BOX - There are several items in; Prue Halliwell's ruby ring as well as her engagement ring and the 'Prue' necklace. There are also some other letters there and an old photo where still can be seen the faces of Prue, Wyatt, and Chris Halliwell when they were teenagers.

Jo smiles and takes the photo. She stares at it.

JO (CONT'D)

I'll be meeting you guys soon.

Jo puts the photo back on the small wooden box and so the folded paper. Then she closes the box and puts it back in the trunk. Closes the trunk and gets up with some difficulties. She walks towards the exit. Before stepping out, she glances back.

VIEW AT THE ATTIC - Pretty much the same it was years before. The Book of Shadows stand is still in the center without the book on it.

Jo smiles. Turns around and leaves the attic.

FADE TO:

INT. HALLIWELL MANOR - OUTSIDE ATTIC / 1ST FLOOR CORRIDOR / HALL - NIGHT

Jo closes the door and turns the key. She takes the key off and goes down the small staircase leading to her bedroom.

She coughs hard.

OFF TO BEDROOM DOOR - From one of the bedrooms comes a young lady wearing a short black dress, a black leather jacket, and black high heels boots. Her long brown wavy hair is loose. She wears red lipstick. Her brown eyes wear brown shadows. There's no doubt, she's a Warren descendant; PRUDENCE ALEXANDRA HALLIWELL, 24.

As Prue comes from her bedroom, she sees Jo walking towards hers.

PRUE

Grams?

Jo looks at her granddaughter.

JO

Prue Halliwell, shouldn't you be in bed?

PRUE

I was going out actually.

JO

Again?

Prue walks towards her grandmother and helps her into her bedroom.

FADE TO:

INT. HALLIWELL MANOR - JO'S BEDROOM - NIGHT

The door is open. Jo comes in helped by her granddaughter.

JO

When are you going to stop those nights out?

PRUE

We've talked about that, Grams.

Prue helps Jo to lay on the bed.

PRUE (CONT'D)

I won't be home late.

JO

Don't lie to me, Prue. I know you better than yourself.

PRUE

If you knew me you'd knew I go by Alex.

JO

You are Prue to me. Always has, always will.

PRUE

If you're going to lecture me now, Grams, I swear I'll take my things and leave as I should have done all those years ago.

Prue sounds hard. Some serious feelings are inside this girl.

JO

This is your place.

PRUE

Do I have a place?

JO

Prue ---

PRUE

Don't, Grams. I had enough.

Jo starts coughing harder. Prue senses that something is happening.

PRUE (CONT'D)

(worried)

Grams. Are you okay?

Jo looks at her.

JO

Call your sisters. I need to speak to the three of you.

Prue stares seriously at Jo for moments, then she notices that it is serious. Turns around and leaves the bedroom. Jo keeps coughing. Not long after leaving, Prue comes back followed by two other young ladies in her pajamas. Both have long brown hair. The eldest, PERSEPHONE GRACE HALLIWELL (22) has hazel eyes while the younger, PRISCILLA BRIANNA HALLIWELL (19) has brown eyes.

Persephone and Priscilla rush to Jo's bed while Jo coughs harder and harder. Prue stands still at the doorway.

PERSEPHONE

Grams? Are you okay?

JO

I don't want you to worry about me, darling.

PRISCILLA

We have to, Grams. We love you.

Jo smiles as the younger of them says that.

JO

I love the two of you too as I love your cousins.

Persephone and Priscilla sit on the edge of the bed beside Jo.

PERSEPHONE

We should call the doctor.

JO

No. There's no time.

PERSEPHONE

What are you talking about, Grams? Of course, there's time.

JO

No, sweetie. It's my time to go.

PRISCILLA

Grams, please.

Jo holds Persephone and Priscilla's hands.

JO

My two beautiful girls. I wish I could've given you a better life. A life where you could have grown next to your mother and father and where we had the glory we had before.

PERSEPHONE

The past cannot be changed, Grams. Everything happens for a reason and we are very lucky we had you with us.

PRISCILLA

And we will for many years.

JO

(smiles at Priscilla)

No, my darling.

(glances from one to another)

It's time for me to meet my parents, my daughter, my sisters. Oh, my sisters.

(smiles)

How I miss them.

PERSEPHONE

No, Grams. We need you. Our cousins need you. Your other daughters still need you.

ON PRUE'S FACE - A tear runs down her face.

JO

My work here is done. I did what I could. From now on, you'll take over. There'll come a day you'll meet your destiny and finally become what you are supposed to be.

(smiles)

The Charmed Ones.

PRISCILLA

Grams, we don't care about that.

JO

You should.

Jo looks at Prue.

JO (CONT'D)

Prue? Come closer.

Prue doesn't move.

JO (CONT'D)

Please, dear. One last time, do as I ask.

Prue swallows, then she moves towards the bed and stands there staring at Jo.

JO (CONT'D)

I need you to become what you are destined to be.

PRUE

Destiny has failed us, Grams.

JO

No. Not yet. Not while there are Warrens alive.

PRUE

We are broken.

JO

(coughing)

No.

(looks at Prue)

Promise me that you'll embrace it when the time comes.

(glances at them all)

The three of you. Promise.

PERSEPHONE

The time for what, Grams?

JO

Just promise me.

PRISCILLA

I promise, Grams. Whatever it is, I'll embrace it.

PERSEPHONE

Me too, Grams.

Jo smiles at them. Then she looks at Prue.

JO

Prue, my mother was also stubborn. But she was also the most faithful person I've ever met.

PRUE

I'm not her, Grams.

Prue's eyes are wet.

JO

Oh, honey, but you have so much of her inside of you.

(smiles)

Please.

PRUE

I promise.

Jo smiles one last time and then the shine in her eyes disappears as well as her smile.

PERSEPHONE

Grams?

Persephone and Priscilla's eyes get wet as they realize Jo is gone.

PRISCILLA

No, Grams!

A loud cry comes from them. Prue's tears come in a rush, but quickly she wipes them. She turns around and leaves the room while her sisters cry hard over Jo Halliwell's dead body.

FADE TO:

EXT. SAN FRANCISCO - NIGHT

AERIAL FAST MOTION view.

FADE TO:

INT. NIGHTCLUB - DANCING FLOOR - NIGHT


MUSIC PLAYING - Tú Me Quemas by Chino y Nacho ft. Gente De Zona, Los Cadillacs.


The beat is loud. People are enjoying themselves on the dance floor to the sound of the Latin music played by the DJ.


A group of people is dancing along, both men and women. Prue is one of the women dancing along. As her friends seem to have fun while dancing, Prue is trying to shake off her feelings away. Not a smile on her face. Not a sign of fun. Just sorrow and pain behind her eyes.


A couple of men approach her but she pushes them away while keeps dancing. Prue spins as she moves to the rhythm of the music.


OFF TO ANOTHER GROUP - A few men are not far from Prue’s group, also enjoining the beat.


One of the MEN smiles at what one of his friends says. Suddenly, his glare is attracted to where Prue is. MAGICALLY attracted kind of.


His ocean blue eyes are locked staring at Prue while she dances in a very sexy way.


MAN’S POV - He sees how the two men approach Prue again and ---


ON MAN’S EYES - They GLOW YELLOW for a moment. Then the GLOW disappears.


The MAN keeps staring at Prue while she spins and as she does, her glare meets the man’s glare.


ON PRUE’S EYES - They GLOW BLUE for moments. It could be assumed that the glow was due to the disco ball, but there’s something MAGICAL there. Then the GLOW disappears.


But Prue and the Man hold each other’s glare for a few seconds before others move in front of them breaking whatever magic attracted their glance to each other.

FADE TO:

INT. NIGHTCLUB - NIGHT (LATER)

LOUD MUSIC. The place is crowded. People are dancing and drinking. The big round counter is at the center and some patrons are sitting by it drinking and talking with one another.

One of those patrons is Prue. She sips her gin tonic as a lone tear runs down her face. She wipes it immediately.

The right seat next to hers is empty. Prue sees someone approaching out of the corner of her eyes. A man. The man from the dancing floor.

LEONARDO WARREN MATTHEWS (25), tall, curly dark brown hair, blue eyes, casual clothes. He motions to the barista to order.

LEONARDO

A gin tonic, please.

English accent.

PRUE

Make it two.

Prue drinks the entire liquid at once as Leonardo glances at her. His eyes fixed on her. Prue puts the glass on the counter.

LEONARDO

If you're trying to get drunk there might be other liquids that might work faster.

Prue looks at him and damn, she can't avoid noticing his deep ocean blue eyes.

LEONARDO (CONT'D)

Vodka, maybe.

For a few seconds, Prue says nothing as she seems to be trying to process the whole ocean blue eyes. Leonardo smiles like he knows the effect he has on women. That smile brings Prue back to where she is.

PRUE

I hate vodka and no, I'm not trying to get drunk. I'm already drunk.

Leonardo smiles again. The barista approaches with two glasses and puts them on before each one of them.

LEONARDO

(to the barista)

Thank you.

Prue sips her drink. Leonardo glances at her and then at the empty seat.

LEONARDO (CONT'D)

(motioning to the empty seat)

Can I?

PRUE

Be my guest.

Leonardo sits beside Prue and sips his gin tonic.

LEONARDO

Alone?

PRUE

For most of my life, yes. English accent?

Both glance at each other.

LEONARDO

For my whole life, yes.

They stare at each other as if their eyes were magnets that can't keep away from each other.

LEONARDO (CONT'D)

Would you mind the company?

PRUE

(smiles)

Would that company be yours?

She's bold. Leonardo smiles big. He glances around before staring back at her.

LEONARDO

I don't see anyone else in here.

PRUE

Good. Me neither.

(sips her drink)

Alexandra. But you can call me Alex. Just Alex.

LEONARDO

Leonardo. But you can call me Leo.

Prue smiles. She raises her glass to him.

PRUE

Nice to meet you, Leo.

LEONARDO

Delighted to make your acquaintance, Alex.

Prue smiles and bites her lip as Leonardo can't take his look off of her.

FADE TO:

INT. LEONARDO'S CONDO - BEDROOM - NIGHT (LATER)

The lights are off when the door is slammed opened and two people come in kissing passionately each other. Their hands run through each other's bodies. One of them tries to look for the switch which is found quickly without breaking the whole hot kissing.

Lights on. The room is not too big. There is a bed, two nightstands, a closet, and a desk. The furniture is modern and the bedroom is tidy.

Prue helps Leonardo to get off of his jacket as he slams the door closed behind them. Not losing time, he quickly helps her to get off of her jacket. Prue starts unbuttoning his shirt. They look at each other deeply. Leonardo smiles big.

LEONARDO

Are you always this passionate?

PRUE

I have hot blood.

Leonardo kisses her. He turns her around and starts unzipping her dress as he kisses her neck. Prue leans her head back and closes her eyes. She turns around and both look at each other deeply again.

PRUE (CONT'D)

You must know that I don't do relationships.

LEONARDO

We'll talk about that later.

Leonardo drives her to the bed and both lie down. He on top of her. Both kissing each other passionately.

FADE TO:

INT. LEONARDO'S CONDO - BEDROOM - DAY (NEXT DAY)

ON LEONARDO'S FACE - The sun touches his skins. His eyes pop open with some difficulties. He tries to protect his eyes from the sun.

Leonardo, only covered by the black sheets, turns to the other side of the bed and as he touches the sheets, he realizes that it is empty. He smiles.

LEONARDO

Well, she said she doesn't do relationships.

He gets up and leans back on the headboard.

SOUND - Cell phone ringing.

Leonardo rushes to the bottom of the bed and takes his pants. He looks for the cell phone and answers it.

LEONARDO (CONT'D)

(on the phone)

Hello! --- Mother. No, I've just woken up. --- Are you serious? --- No, mum, of course, I know that they're family. I just never met them before. --- Fine. I will go. Thank you for informing me, mum. --- Love you too.

Leonardo hangs off the phone.

LEONARDO (CONT'D)

(sarcastic)

A funeral. Just what I needed!

He gets up off the bed and walks into the bathroom.

FADE TO:

EXT. HALLIWELL MANOR - DAY (A COUPLE OF DAYS LATER)

SEVERAL CARS are parked outside. People wearing black clothes head in the Victorian-style manor located on 1329 Prescott Street.

FADE TO:

INT. HALLIWELL MANOR - SEVERAL ROOMS - DAY

A QUICK VIEW at several rooms such as the living room, the dining room, and the conservatory room. There are a lot of people wearing black.

FADE TO:

EXT. HALLIWELL MANOR - GARDEN - DAY

Prue, Persephone, and Priscilla are there. All three wearing black dresses. There seems to be tension between them.

PERSEPHONE

(to Prue)

You are the eldest.

PRUE

I'm tired of being the eldest. I never asked for it.

PERSEPHONE

Well, sis, you didn't have a saying on that.

PRUE

Exactly. Why don't I have a saying on this? I'm not her only grandchild. There are you two and the others.

PRISCILLA

She loved you.

PRUE

She loved everyone in this broken family.

PERSEPHONE

Can you stop being you for one second and think about Grams?

(hard)

You are not the only one suffering. She was the last drop of glue that kept us together. And when I say us I mean us. The whole family. Everyone there is suffering.

Persephone's eyes get wet.

PERSEPHONE (CONT'D)

We all lost something or someone, Prue.

PRUE

(out loud)

Alex!

(breaths)

My name is Alex.

PERSEPHONE

Your name is Prue.

(rude)

Now get in and do what you must. Be the woman she always saw in you.

Prue and Persephone stare at each other. A tear runs down Prue checks. She wipes it immediately. Then she finally gives in. She takes a deep breath and heads inside. Priscilla hugs Persephone.

PRISCILLA

Let's go.

FADE TO:

INT. HALLIWELL MANOR - CONSERVATORY ROOM - DAY

Everybody tries to accommodate themselves inside the room. The furniture was taken off and some chairs were put in. The chairs are not enough for everybody, so most of them have to stand. The first row is occupied by the direct family; Jo's two daughters, their husbands, and grandchildren. The rest of the family and friends occupy the other rows and many others stand.

At the top of the room, there are two photos on a stand each. One of Jo as young and another as an old woman. Between the photos is a table with several portraits of Jo during her life with her family.

Prue comes from the garden followed by her sisters, Persephone and Priscilla. Persephone and Priscilla take their seats at the front, while Prue stands before the people present there. Prue glances at them all.

OFF TO LEONARDO - He comes unnoticed and stays at the back.

Prue closes her eyes and takes a deep breath. Then she opens her eyes and looks at the presents there, or at least she seems to be looking at them, but deep down she is not actually seeing those presents in the room.

PRUE

Jo Halliwell was more than just my grandmother.

Leonardo's mouth opens as he sees Prue standing at the front. He recognizes her. Astonishment is all written on his face.

PRUE (CONT'D)

You all might remember her as the heiress of the Twice Blessed Witches. The first triplet in the family. The glue that united us Warrens. But for me, she was my mother, my father, my rock, my everything.

(glances around)

I didn't want to do this.

Leonardo tries to stay hidden behind a taller man.

PRUE (CONT'D)

But she would want me to. She was like that. She could make you do what you don't want to do. Not much was necessary to make her happy. She just needed to know that there was Warren blood out there. Ready for whatever comes.

(forces a smile)

She never stopped believing while many of us didn't.

Leonardo stares seriously at Prue always trying to pass unnoticed behind the tall men.

PRUE (CONT'D)

I'm gonna miss her goodnight kisses, her lectures when I came home late at night or didn't come at all until the next morning.

(pauses)

I read a phrase once in a book that describes her.

(quoting)

'The only way to get hurt in this life is to care'.

(pauses)

Grams cared more than most, loved more than most, and was made to suffer more than most because of just how much she cared for this family.

Tears run down Prue's face.

PRUE (CONT'D)

That's her and that's what she left in me.

Persephone and Priscilla hold each other's hands as tears run down her face.

PRUE (CONT'D)

You might remember her ---

(glances at Jo's younger photo)

--- as Jo Halliwell, the Charmed One. The great witch that was born from the greatest of powers. The carrier of the Twice Blessed power.

(looks forward)

But I'll remember her ---

(looks at Jo's older photo)

--- as my everything.

Prue cries heavily with tears flowing steadily. Then, Prue turns around and leaves the room towards the garden outside.

ON LEONARDO - A tear runs down his cheeks.

Leonardo turns around and leaves the room quickly.

CUT TO BLACK.

END OF TEASER.

[Prue Brianna Johnna Halliwell]

Cast

Starring

Shelley Hennig as Prue A. Halliwell

Richard Madden as Leo Matthews

Phoebe Tonkin as Persephone Halliwell

Maia Mitchell as Priscilla Halliwell

Keegan Allen as Gabriel Halliwell

Grant Gustin as William Palmer

Katherine McNamara as Miranda Morgan

Holland Roden as Pamela Whitmore

Regé-Jean Page as Aiden Sullivan

Recurring

Peter Facinelli as Sebastian Whitmore

Kellan Lutz as Trace Thornton

Christopher Heyerdahl as Alastair

Guest Starring

Faye Dunaway as Jo Halliwell (Elderly)

Tamlyn Tomita as Alberta

Austin Butler as Thomas

Alex Loynaz as Harry

Ross Partridge as Real State Agent

Adam Stevenson as Benni

Curtis Edward Jackson as Demon

Katharine McPhee as Isabelle Halliwell (Voice only)

Unknown actress as Woman

Unknown actress as Woman #2

Unknown actor as Demon

Unknown actor as P3 Bodyguard

Unknown actresses as P3 Employees

Unknown actor as Guy

Unknown actress as Woman #3

Unknown actress as Girl

Created by

Constance M. Burge and Brad Kern

Written by

Sol

Edited by

Sol

Wikia: Legacy of the Warrens

[Prue Brianna Johnna Halliwell]

ACT ONE

OVER CREDITS.

BLACK SCREEN

IT READS:

5 Years Later

2116

OVER BLACK.

FADE IN:

EXT. SAN FRANCISCO - NIGHT

MUSIC - 'Don't Let Me Down' by The Chainsmokers ft. Daya.

FOOTAGE all over the town.

FADE TO:

EXT. NIGHTCLUB - PARKING LOT - NIGHT

MUSIC KEEPS PLAYING.

People are coming out of the nightclub. Among them, there's a group of women and men. Prue (29) is one of them. They come out from the club laughing.

THOMAS

Hey, Alex, do you want me to give you a ride? I'm sober.

Prue smiles.

PRUE

(smiles)

Thanks, T, but no. I've got my car.

THOMAS

You have been drinking a lot.

PRUE

I'm fine. Don't worry.

Prue motions goodbye to them and walks away from the group. She seeks the car keys in the handbag. She finds them as she reaches a green convertible.

PRUE (CONT'D)

Drinking a lot. God, I never get drunk with gin tonic.

She grimaces. She is about to open the car when ---

SOUND - A SCREAM.

Prue turns around towards where the scream came from. Not thinking twice she runs towards it.

FADE TO:

EXT. NIGHTCLUB - ALLEY - NIGHT

MUSIC FADES OFF.

ON A YOUNG WOMAN'S FACE - Terror. The redheaded stares at her aggressor with terror.

The tall man holds her by her neck.

WOMAN

Take the money and leave me.

MAN

(laughs)

I don't want your money, stupid human.

The man shows her a DAGGER he carries. He runs his blade to her face as she screams with fear.

WOMAN

(weeps)

Please.

He puts the blade next to her neck and a tiny line of blood starts appearing.

PRUE (O.S.)

Hey!

The man turns around and only has time to see how Prue throws an ATHAME towards him. And he BLOWS up. The woman is astonished. Prue walks towards the ashes of the demon. The woman stares astonished at Prue.

WOMAN

What the hell was that?

PRUE

A demon.

WOMAN

What?

Prue lowers down and takes her athame which is on the floor among the demon's ashes. Then Prue looks at her and smiles.

PRUE

You're welcome.

The woman is speechless.

FADE TO:

EXT. SAN FRANCISCO - DAY

FAST MOTION VIEW ALL OVER THE TOWN.

FADE TO:

EXT. HALLIWELL MANOR - DAY

STILL FOOTAGE AT THE VICTORIAN MANOR.

FADE TO:

INT. HALLIWELL MANOR - ENTRANCE / FOYER / DINING ROOM - DAY

Persephone (27) comes from the kitchen with a tray of food and puts it on the table. Priscilla (25) comes following and holding the juice jar. She puts it on the table as well. Persephone glances at the front door.

PERSEPHONE

Again.

Priscilla takes her seat at the table and looks at Persephone.

PRISCILLA

Are you still worrying about her? She's a grown-up.

PERSEPHONE

She's our sister.

PRISCILLA

That woman is more broken by the day. Not fixing there.

PERSEPHONE

Don't say that, Pris. Grams wouldn't like to hear you say that about her.

PRISCILLA

That's because no matter what, Prue was always her favorite out of all her grandchildren.

PERSEPHONE

No, she was not. She was the most lost of us all.

PRISCILLA

If you want to believe that, be my guest.

Priscilla pours herself some orange juice.

OFF TO THE FRONT DOOR - IT OPENS. Prue comes in.

Persephone breaths in.

PERSEPHONE

Hey, Prue!

Prue glances at her sisters and then she closes the door behind her. She then walks towards them and into the dining room.

PERSEPHONE (CONT'D)

Another night out?

Prue rolls her eyes.

PERSEPHONE (CONT'D)

Please don't tell me you were the last one to leave the club.

PRISCILLA

You could at least get wasted on our own nightclub. That way we would know your whereabouts.

PRUE

Alex, it's Alex, and first, I'm too old to get a lecture from my younger sisters.

She puts the handbag on the table.

PRUE (CONT'D)

Second, not that you had something to do with it, but I wasn't in a nightclub the whole night. I was in the police station.

Persephone's eyes widen with astonishment. Priscilla chokes on the orange juice.

PERSEPHONE

(sarcastic)

Well, that's a first.

PRUE

It's not what you think.

PRISCILLA

Please, explain.

Priscilla stares at Prue holding a neutral expression.

PRUE

A demon.

Just the word makes Persephone get mad.

PERSEPHONE

Not again this nonsense of hunting demons.

PRUE

I wasn't hunting. It just crossed my path.

PRISCILLA

(sarcastic)

Right, because every time you encounter a demon you were just passing by. What's the part that we have no powers that you don't understand?

PERSEPHONE

Cut it, Pris.

Priscilla rolls her eyes.

PRUE

I wasn't looking for it. Not this time. He was attacking a young woman. I vanquished him and tried to convince her not to call the cops, but she was too frightened.

PERSEPHONE

How did you vanquish it?

Prue takes her bag and looks for the athame inside of it.

PRUE

With this.

She shows them the athame.

PERSEPHONE

I thought you were done carrying that stuff with you.

PRUE

Well, luckily for that woman, I'm not.

PERSEPHONE

And the police station?

PRUE

Well, the woman shouted like crazy that the demon became ashes. They didn't believe her. They bought my version of it instead.

PRISCILLA

Lesser of two evils!

(stands)

I need to go.

PRUE

I'm going to have some sleep.

PERSEPHONE

No, you won't.

Prue shoots her sister a look.

PRUE

Come again.

PERSEPHONE

I need you to take care of P3 today. A new band is playing tonight and if they're good we might hire them to play once a week.

PRUE

And you need me there because?

PERSEPHONE

Because I'm going to see a few places for the restaurant and won't be at P3.

PRUE

Well, I have nothing to do with it. Ask Gabriel.

Prue turns to leave.

PERSEPHONE

The club is yours as well.

Priscilla glances from one sister to another. Prue turns to her sisters.

PRUE

I didn't ask for it.

PERSEPHONE

Well, you were made the manager in case you don't remember. Dad state that you would be the most suitable for it. You were the eldest. Eldest daughter's right.

PRUE

That's a stupid thing I didn't ask for as well. And so I didn't ask to be the eldest. It should be you.

PRISCILLA

(to Prue)

I agree with you on that.

PERSEPHONE

Well, sorry, but that's the one thing you never had a saying on.

PRUE

Sorry, sis. I'm not taking care of the club today or ever. Bye.

Prue turns around and walks upstairs. Priscilla stares at Persephone who takes her hands to her hips.

PRISCILLA

Don't ask me. You know I can't even take care of a turtle.

OFF TO THE FRONT DOOR - It opens again. A man, GABRIEL JAMES HALLIWELL (29) comes in. He spots them and closes the front door. He walks towards them.

GABRIEL

Has she arrived?

PERSEPHONE

Just now. Can you talk to her? She listens to you, Gabs. Also, you need to convince her to take care of P3.

Gabriel stares at them knowing that what they ask is some sort of an impossible mission.

FADE TO:

INT. HALLIWELL MANOR - PRUE'S BEDROOM - DAY (LATER)

Prue comes from the private bathroom. She wears a nightgown and heads to the bed.

SOUND - A KNOCK ON THE DOOR.

PRUE

I'm not in the mood.

The door opens. Gabriel peeks inside the bedroom.

GABRIEL

Are you decent, cous?

Prue glances at him.

PRUE

If you come to speak for my sister ---

GABRIEL

(coming in)

Prue!

He shoots her a look. She grimaces and signs him to come in. He does and closes the door behind him.

GABRIEL (CONT'D)

Persie and Pris told me what happened.

Prue rolls her eyes and seats on the bed.

PRUE

No lecture, Gabs.

GABRIEL

I won't. I never do, Prue. But ---

PRUE

(sarcastic)

There's always a but.

GABRIEL

They are right. P3 is yours.

PRUE

It belongs to my sisters and me.

GABRIEL

But your father established that you had to be the one running it. Not Persie and not even Pris.

PRUE

Why?

Gabriel sits on the bed in front of her.

PRUE (CONT'D)

Why me and not them? I have a job.

GABRIEL

Being a freelancer isn't what's going to pay your bills.

PRUE

You don't know how much they pay me.

GABRIEL

Whatever it is, P3 is most worthy.

PRUE

Why? Because it's been in our family for generations? Because it comes from the original Charmed Ones? Well, guess what, there's no Charmed Ones now. The Power of Three is gone. Doesn't exist anymore and gone along with it is the whole magic that used to run in our family's blood.

Gabriel takes Prue hands between his.

GABRIEL

It's not gone forever, okay? It's just missing and Jo was sure that ---

PRUE

She was sure of many things. But the truth is that we are not any closer to meeting the destiny she always spoke about. And I don't want to talk about my grandmother.

GABRIEL

She was like a grandmother to me too, you know?

PRUE

I do.

GABRIEL

I lost her too.

PRUE

I lost much more than you, Gabs. I know you don't like me to say that, but it's the truth. Your parents are still alive.

GABRIEL

I lost my grandparents. Matthew and Mattea. They died at the hands of a demon as well.

PRUE

You were too young, you barely remember them.

GABRIEL

Yes, but Jo filled the void left by them.

Prue looks aside.

GABRIEL (CONT'D)

What I'm trying to say, Prue, is that we all know your pain. But we don't push others away. Because we need each other.

Prue sighs.

GABRIEL (CONT'D)

P3 needs you too. Your father knew what he was doing. Don't ever forget that.

Gabriel touches her face softly.

GABRIEL (CONT'D)

Little cous.

Prue half-smiles.

PRUE

I can't do it alone.

GABRIEL

I'll be there tonight and so will be Will. I can't during the day because of school.

PRUE

You should give up on that too, you know? For how long will they keep you as a substitute teacher?

GABRIEL

See? My life isn't easier than yours. But I have bills to pay.

Gabriel smiles.

GABRIEL (CONT'D)

See you later?

PRUE

Sure.

Gabriel stands and walks out of the bedroom. Prue sighs and leans on the headboard thoughtful.

FADE TO BLACK.

END OF ACT ONE

[Prue Brianna Johnna Halliwell]

ACT TWO

FADE IN:

EXT. SAN FRANCISCO - DAY TURNING INTO NIGHT

AERIAL FAST MOTION VIEW ALL OVER THE TOWN.

FADE TO:

EXT. P3 - NIGHT

FROM THE OUTSIDE, THE MUSIC CAN'T BE HEARD.

The bodyguard is at the entrance controlling the entrance. Several people wait outside for a chance to get in.

OFF TO TWO MEN - They approach quickly towards the entrance.

One of them is HARRY GUERRA (30) and the other one is Leonardo (30).

Leonardo glances at all the people waiting to get in.

LEONARDO

Seriously? P3?

Harry turns to Leonardo.

HARRY

I've been trying for years to bring you here unsuccessfully. I managed to get our names on the VIP list this time.

LEONARDO

I told you I cannot come here.

HARRY

Why not? Do you know that this club is the best in town? Besides, it's run by three women. Three, Leo. Three beautiful women. I heard the eldest is a piece of work, but just staring at her makes a man's day.

Leo rolls his eyes.

LEONARDO

I believe you on that!

They reach the bodyguard.

BODYGUARD

Name?

HARRY

Harry Guerra and Leo Matthews.

The bodyguard checks his list and then signs them to get in. He opens the barrier for them. Leonardo takes a deep breath. Both head in.

FADE TO:

INT. P3 - ENTRANCE STAIRCASE / BAR / DANCING FLOOR / VIP AREA - NIGHT

The music is loud. The band is playing. The club is crowded. People are dancing. At the round bar, people are busy with work. Employees walk around the club serving drinks.

Harry and Leonardo come in down the entrance staircase. Leonardo glances around. Then he takes a pair of sunglasses from his jacket pocket and puts them on. Harry shoots him a look.

HARRY

Seriously, man?

Leonardo shrugs. Both men reach the bottom of the entrance staircase. There they meet an employee.

P3 EMPLOYEE

VIP?

HARRY

(nods)

Harry Guerra and Leo Matthews.

P3 EMPLOYEE

Follow me.

The girl walks towards the VIP zone. They follow her. She shows them their place on a large couch with a table.

LEONARDO

VIP? Seriously?

HARRY

It's not because you have given up on advocacy that all people at the firm should do the same.

They sit.

P3 EMPLOYEE

Someone will be with you soon.

They nod. The girl walks away.

LEONARDO

Are you going to be promoted?

HARRY

I might become a partner anytime soon.

LEONARDO

Good for you. And I haven't given up. I still have my clients. I just rather be doing something away from a large law firm.

HARRY

Yeah, right.

The scene moves from Harry and Leonardo to the round bar. Gabriel and WILLIAM COOPER PALMER (28) are behind the bar preparing some drinks. Prue stares at them from outside the bar. She is wearing a short gleam backless black sequin dress.

WILLIAM

No hard to do, Prue.

PRUE

Yeah, right. I'm gonna have to go back to college so I can learn the craft of drinks-making.

Gabriel and William smile.

GABRIEL

Hey, new customers at the VIP zone.

PRUE

Do you want me to go there?

Gabriel nods.

PRUE (CONT'D)

I'm the manager.

GABRIEL

For you to manage the place you need to know how it works.

PRUE

For the record, I didn't want any of this.

William hands her an electronic machine to register the orders.

WILLIAM

I guess you know how that works?

Prue grimaces at him.

GABRIEL

Don't forget to smile.

Gabriel and William smile as they see her move away.

WILLIAM

Is this really a good idea?

GABRIEL

Yeah, cous, I believe so.

WILLIAM

If you say so.

OFF to Prue as she approaches Leonardo and Harry's table.

Leonardo and Harry see her approaching.

HARRY

Wow. That must be the eldest one.

Leonardo tries to turn his face so she can't have a good look at him.

PRUE

Hey, guys! Welcome to P3.

(forces a smile)

What can I get you?

Harry looks her up and down.

HARRY

What do you suggest?

PRUE

Gin tonic. That's pretty much what I drink.

Leonardo glances at her as she says that. Prue stares at him curiously.

PRUE (CONT'D)

But the special of the night is Mai Tai. We also have beers, wine, you name it.

(to Leonardo)

Are you allergic to the disco ball?

Leonardo shakes his head. Harry glances from Leonardo to Prue.

HARRY

My friend is a celebrity. He doesn't want people to recognize him.

PRUE

Oh.

HARRY

We'll have two beers.

Prue smiles. She glances one last time at Leonardo and then walks away. Harry turns to Leonardo.

HARRY (CONT'D)

You know her.

It wasn't a question.

LEONARDO

I don't know what you are talking about. Never meet that lady before.

HARRY

Lady? You and your British manners.

Leonardo glances at the bar where Prue is.

FADE TO:

INT. OLD RESTAURANT - DINING ROOM - NIGHT

The place seems to be abandoned for years. It's not clean, but it's not dirty. It's just abandoned. Persephone and the REAL STATE AGENT (40's) come from the inside of the restaurant.

REAL STATE AGENT

So, Mrs. Halliwell?

PERSEPHONE

Well, the place has a good area.

REAL STATE AGENT

Yeah. It's been years since it was owned by someone. It belongs to us now. The previous owner died and left no heirs, but we paid for it. I barely remembered it.

PERSEPHONE

Well, I need to think about it. I like the place and the location. Don't understand why it was never re-opened. I'm gonna need to think.

REAL STATE AGENT

Of course.

The man motions her to the exit. Persephone glances around and smiles as she seems to be imagining her future restaurant there.

FADE TO:

INT. HALLIWELL MANOR - LIVING ROOM - NIGHT (LATER)

Priscilla is sitting on the couch reading a book when Persephone comes in.

PERSEPHONE

Hey!

Priscilla looks up at her.

PRISCILLA

Hey, you.

Persephone sits beside her. Priscilla doesn't let go of her book.

PRISCILLA (CONT'D)

You didn't go to P3.

PERSEPHONE

Gabs texted. Everything is under control. They don't need me there.

Priscilla looks aside from the book and stares at her sister.

PRISCILLA

Isn't she burning the place to the ground?

Persephone shakes her head.

PRISCILLA (CONT'D)

That's a first.

PERSEPHONE

C'mon, Pris. Don't be like that.

PRISCILLA

It's Prue we're talking about. Or Alex, or whatever she rather be called.

PERSEPHONE

It's Prue.

Priscilla smiles.

PRISCILLA

How was the searching for the right place?

PERSEPHONE

Tiring. But I believe I found it. It needs a lot of work, but I had a feeling about it.

PRISCILLA

Are you sure you want to apply for a loan for a place that needs a lot of work?

PERSEPHONE

I have a feeling.

PRISCILLA

Well, I trust you would do what's best. You always do.

PERSEPHONE

(half-smiles)

I'm not perfect, Pris.

PRISCILLA

Well, me neither.

Priscilla closes the book and puts it aside.

PRISCILLA (CONT'D)

I've been thinking, Persie.

PERSEPHONE

About what?

Priscilla breaths in trying to inhale some courage.

PRISCILLA

About what I should do.

Priscilla glances at Persephone.

PRISCILLA (CONT'D)

I can stay here anymore, Persie. It's not working for me.

PERSEPHONE

What do you mean?

PRISCILLA

While Grams was alive it made sense for me to stay here, but five years have passed. I stayed at first because you believed we could have a normal life, the three of us. But Prue has gone worse and I can't keep waiting for her to change.

PERSEPHONE

So you're saying you are moving out?

PRISCILLA

Not just moving out. Moving away. New York.

PERSEPHONE

Pris ---

PRISCILLA

I think I can be a secretary there too.

PERSEPHONE

But what about your job here? And P3?

PRISCILLA

You've found a solution for P3 already and my job, well, I haven't felt myself in there. Every day is the same.

PERSEPHONE

But New York?

PRISCILLA

Miranda said I could stay with her.

PERSEPHONE

But, Pris ---

PRISCILLA

I've made up my mind, sis. Please respect my decision.

Priscilla stands.

PRISCILLA (CONT'D)

I'll go to bed. I have to hand in my resignation letter tomorrow and I need to be fresh. Night.

Priscilla turns to leave.

PERSEPHONE

Night.

Persephone seems sad at her sister's decision. She stands and leaves the room herself.

FADE TO:

INT. HALLIWELL MANOR - PERSEPHONE'S BEDROOM / WALK-IN CLOSET - NIGHT

Persephone comes in. She walks straight to the bed and lays down. She stares at the ceiling.

SOUND - SOMETHING FALLING AND HITTING THE FLOOR. The sound comes from the walk-in closet.

Persephone gets into a sitting position.

PERSEPHONE

What was that?!

Persephone stands and walks into the walk-in closet. She turns on the light and glances around.

ON SPIRIT BOARD - IT'S ON THE FLOOR. The planchette is next to it.

Persephone glances down and sees the Halliwell's Spirit Board on the floor. She lowers down and takes it. She walks out of the walk-in closet.

PERSEPHONE (CONT'D)

It's been years since I looked at this. I didn't even know it was here.

Persephone sits on the edge of the bed. She turns the board around and stares at the inscription behind. She feels sad suddenly.

PERSEPHONE (CONT'D)

Oh, Grams. There won't be Charmed Ones or Power of Three anytime soon.

She runs her hands through the inscription.

ON THE BOARD - IT READS:

'To my three beautiful daughters, may this give you the light to find the shadows. The power of three will set you free. Love, Mom.'

PERSEPHONE (CONT'D)

The power of three will set you free.

Persephone turns the board around. She puts the planchette on it.

PERSEPHONE (CONT'D)

So, how does this work?!

As soon as the planchette touches the board, it starts moving.

PERSEPHONE (CONT'D)

What the heck is happening?!

Persephone stands and stares as the planchette starts spelling something.

ON THE SPIRIT BOARD - It spells the A. Then the T. And T again. Then the I. The last letter is the C.

PERSEPHONE (CONT'D)

Attic? Do you want me to go to the attic?

ON THE SPIRIT BOARD - It goes to the YES.

PERSEPHONE (CONT'D)

(sarcastic)

Great. Just great!

Persephone turns to leave.

FADE TO:

INT. HALLIWELL MANOR - ATTIC - NIGHT

The lights are off. The door is closed.

ON THE DOOR - It's opened. Persephone comes in.

She glances around and then tries to turn on the light. It doesn't work.

PERSEPHONE

Just my luck! Reminder to myself, change the lamp.

She comes more into the attic.

PERSEPHONE (CONT'D)

Maybe I'm overreacting and it's just my imagination playing pranks on me.

ON THE TRUNK - A light shines on a trunk.

PERSEPHONE (CONT'D)

Now that is weird.

Persephone walks over to it. She opens the trunk and stares at its contents.

ON THE TRUNK - Among several things there, it can be seen the Book of Shadows and the small wooden box with the initials P.H. engrave in it.

Persephone lowers down and takes the Book of Shadows out. She blows the dust off and opens it.

PERSEPHONE (CONT'D)

(turning pages)

The once and all-mighty Book of Shadows.

Persephone looks sadly at it. She closes the book and then puts it back in the trunk. Then she takes the small wooden box.

PERSEPHONE (CONT'D)

P.H.

(smiles)

Not very specific. There are tons of P.Hs. in this family.

She opens the box and stares at what's inside.

ON THE SMALL WOODEN BOX - The letter left by Jo is on the top. The 'Prue' necklace is visible.

PERSEPHONE (CONT'D)

Right. The P.H. Gram's mother.

She smiles as she takes the necklace. She stares at it for a few seconds.

PERSEPHONE (CONT'D)

Maybe someday another Prue gets to wear you.

She puts the necklace back on the box. Then she takes the letter left by Jo. She unfolds it and her eyes widen as she realizes it's Jo's handwriting.

PERSEPHONE (CONT'D)

Grams!

Persephone starts reading the letter.

PERSEPHONE (CONT'D)

(reading)

'My three little Charmed Ones. Yes, Charmed Ones. You will always be Charmed. I've probably took the wrong decision when I didn't share with you my findings, but without our magic, there was no way to tell how things would work out. Many of us kept the fight alive. Many failed during it. Many tried to keep the others away from danger. I do believe I am part of those three groups.'

(a tear runs down Persephone's face)

'I did my best to protect you from evil while teaching you as much as I could giving the fact that the Warrens' magic was gone for good. When my Isabelle died, I took you in my arms as my own daughters and raised you like that. Because that's what you were to me. I don't mean by this that your cousins were less than that, only that I had the chance to raise you the way I did raise your mother and aunts. But it was a challenge, I won't deny it. What made it harder was to keep what I've done in hiding.'

(pauses)

'As you know, Alastair took precious things from us. Your mother and our powers were one of them as well as my best friend and cousin Matt, his wife Mattea and years ago, my sister Peri.'

Persephone seems surprised at this.

PERSEPHONE (CONT'D)

(surprised)

Aunt Peri died at the hands of Alastair?!

(keeps reading)

'Yes. Aunt Peri too. We found him. Me and my sisters. After Isabelle died at his hands, we couldn't rest until we did something. And we found him. We used our ancient magic teachings, which I now thank both my Grandmothers for, and went after him. We were not seeking revenge. No. We wanted justice, for those we lost and for those that remained here. We were not able to vanquish him. Without our powers the task became difficult. But we imprisoned him. Locked in the same place we found him. A cursed place no one should set foot on. In the process and to complete our task, Peri sacrificed herself to imprison Alastair. My sister. How I've missed her all these years. Patience and I looked over and over again for our magic, but it seemed impossible to find it. Though I am sure that it couldn't be there in the same place we found Alastair.'

(pauses)

Please say where it is. Please.

(keeps reading)

'Patience's health took the best of her and she left us before we could find our magic. Then one day, I did. Or at least I think I did. A few days ago, it hit me. That room. It had a door. It was there in plain sight, but hidden. It was enchanted to make us believe there was nothing there, but of course, Alastair would do such a thing. Among other things, he was the master of tricks. And now it's too late for me. My life essence is leaving me and I can only hope that destiny leads you three on the right way. I know it will. It doesn't matter how far we've become from all powers above, I know that somehow the three of you would be able to retrieve our magic. The three of you are the heiress to the Power of Three and as it found Prue, Piper, Phoebe, and Paige one day, it will find you someday. Become who you are, my darlings. Blessed be, Grams.'

Persephone is speechless.

PERSEPHONE (CONT'D)

Oh, Grams. But wait. An address. Please.

Persephone turns the paper around and something calls for her attention.

ON BACK OF THE PAPER - Some numbers can be seen. Latitude numbers.

PERSEPHONE (CONT'D)

(smiles)

Good job, Grams.

Persephone closes the small wooden box and puts it back inside the trunk. She takes the piece of paper with her and leaves the attic.

FADE TO BLACK.

END OF ACT TWO

[Prue Brianna Johnna Halliwell]

ACT THREE

FADE IN:

INT. P3 - DANCING FLOOR / BAR / ENTRANCE STAIRCASE - NIGHT (HOURS LATER)

Fewer people in the club now. Prue, Gabriel, and William are behind the bar. Some employees are serving the patrons that remain there. The band is not playing anymore. Now there's a D.J. Prue yawns. William looks at her and smiles.

WILLIAM

Oh, yeah. That's why we should take all chances to sleep instead of spending the night at Police Stations.

PRUE

How do you wake up fresh in the morning?

WILLIAM

Litters of coffee. Besides, the bar opens from Thursday to Sunday, in case you have forgotten.

PRUE

Still.

GABRIEL

(sarcastic)

How notorious it is that you never care to stay the whole night here!

PRUE

Well, I had better places to be in.

Gabriel and William trade glances.

PRUE (CONT'D)

Anyway, thank you, guys, for being patient with me tonight.

WILLIAM

You are our cousin, Prue.

GABRIEL

We will always be patient.

PRUE

That's why I prefer your company to my sisters'.

Both Gabriel and William smile.

OFF TO HARRY - He approaches the bar.

HARRY

Time to call off the night.

Harry hands his credit card to Gabriel.

HARRY (CONT'D)

(to Prue; blinks)

I'll be back for sure.

Prue can't help but look at Leonardo near the staircase. He is still wearing sunglasses.

PRUE

Did your friend enjoy it as much as you did?

HARRY

Why don't you go ask him yourself?

PRUE

I might.

Prue takes her cell phone from the counter and comes out of the counter and approaches Leonardo. He tries to look aside as he notices Prue's approach.

PRUE (CONT'D)

Leaving already, huh?!

Leonardo makes a sound and nods.

PRUE (CONT'D)

Did you like it?

Leonardo nods again.

PRUE (CONT'D)

Do you talk at all?

Leonardo looks at her and both stare at each other.

LEONARDO

Yes, I do. I had a great time in here, Miss ---

PRUE

Alex.

LEONARDO

Miss Alex.

Prue grimaces as if something popped into her mind. That English accent.

LEONARDO (CONT'D)

Pleased to make your acquaintance, Miss Alex.

Harry approaches them.

HARRY

Let's go.

(to Prue)

Miss Halliwell.

Harry smiles at Prue and starts going upstairs. Leonardo and Prue stare at one another for seconds. Then Leonardo smiles and leaves as well.

PRUE

That accent. That voice.

Prue stares at them as they leave. She's brought back to where she is by the vibration of her cell phone. She checks the message she's got. She frowns as she reads the message.

PRUE (CONT'D)

What address is this?!

Prue walks towards the bar.

PRUE (CONT'D)

(to Gabriel and William)

Guys, I just got a text from Persie. She sent me an address.

GABRIEL

What address?

PRUE

Bite me. I need to go and see what she wants.

WILLIAM

Do you want us to come with you?

PRUE

No. Maybe it's just the place she picked for her restaurant. Although it seems very far away from civilization. Can you close up for me?

Gabriel and William trade glances.

WILLIAM

Now she's speaking like a true manager.

Gabriel and William smile.

Gabriel takes her bag from a cabinet on the counter and hands it to her.

GABRIEL

We'll do.

PRUE

Thanks.

Prue walks away.

GABRIEL

Maybe there's still hope for our dear cousin.

WILLIAM

Maybe.

Gabriel and William head back to their doings.

FADE TO:

EXT. MONTANA STATE - ENTRANCE PORCH - NIGHT

Persephone comes slowly as she stares at the abandoned state. The trees seem to have taken over the outside of the house. Branches of trees cover most of the front. But deep down it feels like that's a cursed place.

PERSEPHONE

What is this place?!

She walks towards the entrance of the house.

FADE IN:

INT. MONTANA STATE - FOYER / SEVERAL ROOMS - NIGHT

The open space entrance is covered in dust. It is much likely that there hasn't been a living soul living in there for a long time.

Persephone comes in and glances around. She takes her phone off the back pocket of her pants and turns on the flashlight. She walks deeply inside the house.

PERSEPHONE

So I must look for a hidden door in plain sight. Good, Grams, easy breezy.

She keeps walking until she finds a door. Which she tries to open. The door's heavy. She pulls the door forward until it opens. She looks inside and decides to enter.

FADE TO:

INT. MONTANA STATE - STORAGE ROOM - NIGHT

More dust and cobwebs there. Persephone glances around. Something calls her attention. In one of the cabinets, there is what seems to be a BLACK URN with nothing engrave there.

PERSEPHONE

To easy. It can't be this.

Persephone glances around and, with the flashlight's help, she stares at every corner.

PERSEPHONE (CONT'D)

It has to be here. I can feel it. If I were a hidden door, where would I be?!

She points the cell phone's flashlight to a corner. At first, there seems to be nothing there, but as she stares at it something starts appearing before her eyes; a handle.

PERSEPHONE (CONT'D)

Cleaver.

She walks towards it.

PERSEPHONE (CONT'D)

Just like a chameleon. Unnoticed, but there.

Persephone reaches out her hand and touches the handle. She smiles. Then she pulls the door forward. It opens. She smiles big.

PERSEPHONE (CONT'D)

Bingo!

A strong light comes from inside the hidden room. Persephone walks inside.

FADE TO:

INT. MONTANA STARE - HIDDEN ROOM - NIGHT

ON MAGIC LANTERN - It is on a pedestal in the center of the small room. A strong blue light emanates from it.

Persephone comes closer and stares at the lantern.

PERSEPHONE

(smiles)

This is it. Our magic.

Persephone smiles happily.

PRUE (O.S.)

Persie!

Persephone looks back. Then she takes the lantern and leaves the room quickly.

FADE OUT:

INT. MONTANA STATE - ROOM - NIGHT

Prue glances around. She is also using her cell phone's flashlight. Then she sees as Persephone comes from the storage room carrying the magic lantern.

PRUE

Persie, what the heck is this place?

PERSEPHONE

I found it, Prue.

PRUE

It's ---

PERSEPHONE

It's Prue, damn it!

Prue rolls her eyes.

PRUE

You found what? What's that?

Persephone raises the magic lantern.

PERSEPHONE

Our magic. It's here.

PRUE

What?

PERSEPHONE

I found Grams' letter. She left it for us. There, she explained how she trapped Alastair and where she thought our magic was.

PRUE

Wait, she trapped Alastair?

Persephone nods.

PRUE (CONT'D)

How?

PERSEPHONE

I don't know. Using ancient magic teachings. The important thing, Prue, is that I found our magic. Once we open this lantern, you, me, our entire family will get our magic back.

PRUE

It can't be.

PERSEPHONE

Believe. She would want us to.

PRUE

It's just too easy. How did you found that letter? Where was it?

PERSEPHONE

The spirit board told me to go to the attic. I found the letter in the trunk we never cared to open.

Both sisters stare at each other.

PRISCILLA (O.S.)

Are we opening it or what?

Persephone glances at Priscilla who stands behind Prue. Prue turns around as well.

PRISCILLA (CONT'D)

Isn't that what we all were waiting for? Our magic back?

Prue and Persephone stare at each other.

PERSEPHONE

Let's do this, sisters. Let's embrace it.

Prue walks towards Persephone who hands her the lantern. Priscilla approaches them.

PRUE

It's too easy.

PRISCILLA

Our lives have been anything but easy.

Prue glances at Priscilla. Then she turns the locker open and lifts the cover.

As soon as she does that, a strong WAVE impregnated with a blue light comes hitting them. They fly across the room.

FADE TO:

INT. MONTANA STATE - STORAGE ROOM - NIGHT

The WAVE doesn't hit anything in this room, but it hits one special thing; the cabinet where the BLACK URN is. As it gets hit, the urn falls on the floor breaking it. As it breaks, a BLACK SMOKE comes from it and fills the room.

FADE TO:

INT. LEONARDO'S CAR - NIGHT

Leonardo drives his car as the WAVE hits him. He has to move fast to control the car. Once it's controlled, he pulls over the car.

LEONARDO

What the hell was that?!

Leonardo is confused.

FADE TO:

INT. P3 - DANCING FLOOR / BAR - NIGHT

Gabriel and William are the only ones left inside the bar. Gabriel is dealing with the cashier while William puts some glasses on their place.

The WAVE hits them too.

Gabriel and William look at each other.

GABRIEL

Did you feel that?

WILLIAM

Hell, I did.

Both of them are confused.

FADE TO:

INT. PRIMARILY AT SKYLIGHT CLARKSON SQUARE AND INDUSTRIA - FASHION SHOW SALOOM - NIGHT

Several models walk on the runway while people applaud. One of the models on the runway is PAMELA ELIZA WHITMORE (28). She smiles while she walks confidently wearing a long green dress with flowers at the bottom. Her red hair is tied up into a high ponytail.

The WAVE hits her. She losses balance for a second but she tries not to fall. She glances around, puts her best smile on, and keeps walking.

FADE TO:

INT. CONDO - BEDROOM - NEW YORK - NIGHT

A young woman's bedroom. PERRY MIRANDA MORGAN (23) is at her desk working on her laptop. She smiles as she seems pleased at what she's doing.

The WAVE hits her and she loses balance. She falls from the chair. Astonished, she glances around.

FADE TO:

INT. PARIS CHARLES DE GAULLE INTERNATIONAL AIRPORT - BOARDING GATE - MORNING

People wait in the waiting room for their time to board.

ADIEN ELLIOT SULLIVAN (28) is one of those people waiting for their time to board. He is reading a book when the WAVE hits him. He feels a source pushing him back. He tries to hold himself to the seat. He glances around astonished, but everyone else seems like nothing happened.

FADE TO:

INT. MONTANA STATE - ROOM - NIGHT

ON THE MAGIC LANTERN - It is on the floor.

Prue, Persephone, and Priscilla lie down on the floor. They seem unconscious.

OFF TO A HOODED FIGURE - It comes from the storage room. He runs his hands to his head and pulls the hood down. It's a demon, ALASTAIR (appears 50's). He is tall, long reddish-brown hair and his skin is pale.

ALASTAIR

Free at last.

He glances at the three girls who lie on the floor.

ALASTAIR (CONT'D)

What a surprise!

Prue starts waking up and gets into a sitting position. When her eyes are wide open, she sees Alastair there.

PRUE

Who are you?

Her voice shakes.

ALASTAIR

The end of all Warrens.

PRUE

Alastair.

ALASTAIR

I smell Warren's blood in you.

Persephone and Priscilla start waking up as Prue stands.

PRUE

You killed my mother.

Alastair smiles big.

ALASTAIR

And I'll kill you.

Alastair WAVES his hand creating an ENERGY BALL and THROWS it straight to Prue. Persephone and Priscilla open their eyes just in time to see her big sister reaching out her hands in a defensive act and MOVING TELEKINETICALLY the ENERGY BALL back to Alastair who gets hit and flies across the room hitting some wall. Persephone and Priscilla stand. Prue looks astonished at her hands.

PRUE

I did that?!

PERSEPHONE

Yes, you did.

Alastair starts getting up.

PRISCILLA

What do we do?

PRUE

We run out of here.

Not thinking twice, the three girls run as fast as they can out of there. Alastair stands and watches as they run.

ALASTAIR

Run, little Warrens, run. I'll come for you as soon as my energies fulfill me. Meanwhile ---

Alastair WAVES his right hand and SUMMONS a demon to his presence. As soon as the demon sees Alastair, he bows down.

DEMON

My Lord.

ALASTAIR

Chase the Halliwells. Kill them before they restore the Power of Three.

DEMON

Yes, my Lord.

The demon bows down again and runs out of there. Alastair smiles.

FADE TO BLACK.

END OF ACT THREE

[Prue Brianna Johnna Halliwell]

ACT FOUR

FADE IN:

INT. HALLIWELL MANOR - FOYER / STAIRCASE - NIGHT (LATER)

The front door opens. Prue, Persephone, and Priscilla come in a rush. They seem tired.

PRUE

(mad)

That son of a ---

She lets out a loud angry scream.

PRISCILLA

That was the demon who kill our mother, wasn't it?

PERSEPHONE

He was trapped. Imprisoned by Grams.

PRUE

You need to explain that story better.

Persephone and Priscilla stare at Prue.

PERSEPHONE

You have powers, Prue. Your magic is back.

Prue stares at them.

PRUE

I just don't know how it works.

PERSEPHONE

Grams always said that it came from the heart.

PRUE

Yeah, well, from my heart right now comes a lot of anger, and that wasn't enough to vanquish him.

PRISCILLA

Still, you hit him.

PRUE

He'll come after us.

PERSEPHONE

We'll vanquish him.

PRUE

It's not that easy, sis.

PRISCILLA

I wonder what other powers we have. I mean, I never knew what my power was.

PRUE

Premonitions.

Persephone and Priscilla look at Prue.

PRUE (CONT'D)

The younger sister has premonitions. While the middle ---

(looks at Persephone)

--- You might not remember ---

PERSEPHONE

It all seems like a blur to me.

PRUE

Molecular Immobilization. You'll be able to freeze people and things.

PERSEPHONE

The freezing power?

Prue nods.

PRUE

Grams never told you because she didn't want to elude you.

PRISCILLA

How do I make it work?

Prue nods her head. She glances around. Then she sees it.

ON A FRAME - Jo's Halliwell portrait with the three of them when little girls.

Prue takes the frame and hands it to Priscilla.

PRUE

Try this.

Reluctantly, Priscilla takes the frame and as she does she is taken into a premonition.

FLASHES TO:

EXT. PRESCOTT STREET - NIGHT (INSIDE PREMONITION)

A demon comes running down Prescott Street.

PREMONITION ENDS.

FLASHES BACK TO:

INT. HALLIWELL MANOR - FOYER / STAIRCASE - NIGHT

Priscilla opens her eyes. Prue and Persephone are staring at her.

PRISCILLA

I saw it.

PERSEPHONE

Alastair?

Priscilla shakes her head.

PRISCILLA

Some demon. He's right outside.

Persephone gets worried.

PERSEPHONE

(to Prue)

What do we do? We don't control our powers yet.

Prue thinks. The memory of her mother's voice comes into her mind.

ISABELLE (O.S.)

Dominus Trinus. Better known as the spell that grants us the Power of Three and therefore turn us into the Charmed Ones. It was cast first by the Original Charmed One Phoebe Halliwell. Then her daughter Prue did the same. Your Grams, my mother, Jo, did it when her time to embrace the Power of Three came and so did I.

LITTLE PRUE (O.S.)

Can I cast it now, mummy?

ISABELLE (O.S.)

No, my dear. You will in the future when the need for the Power of Three gets stronger, you'll be able to cast the spell that'll grant you and your sisters the Power of Three.

Prue looks at them.

PRUE

The Book of Shadows.

Prue turns around and heads to the staircase.

PERSEPHONE

It only has blank pages, Prue.

PRUE

We need the spell that'll help us become the Charmed Ones. Our magic is back. The book must be too.

Persephone and Priscilla head towards the staircase when ---

THE FRONT DOOR IS SLAMMED OPEN - The demon comes in.

PRISCILLA

Yep. That's him.

PRUE

Head upstairs and get the book ready.

PERSEPHONE

But, Prue ---

PRUE

Do as I said.

Persephone and Priscilla run upstairs as Prue stands staring at the demon. The demon smiles at her.

DEMON

It's been a while since a fight against one of you witches has been interesting.

PRUE

Too bad you're going to lose, right?

Prue squints her eyes and the demon is thrown back. Still isn't enough to hurt.

PRUE (CONT'D)

C'mon! I saw mum doing it a few times.

The demon starts approaching her again.

DEMON

Give up, witch!

Prue smiles. She WAVES her hands and this time the demon flies out of the manor. Prue runs upstairs.

FADE TO:

INT. HALLIWELL MANOR - ATTIC

Persephone and Priscilla come quickly heading towards the trunk. Persephone opens it and takes the Book of Shadows.

ON BOOK OF SHADOWS - The Triquetra is still split.

Persephone opens the book.

PERSEPHONE

Blank pages!

Priscilla glances at the book. Both sisters trade glances.

OFF TO PRUE - She comes in and quickly closes the door.

PRUE

Help me out.

Priscilla walks fast towards her and both Prue and Priscilla start dragging some furniture to the door.

PERSEPHONE

There's nothing here, Prue.

Prue glances at Persephone.

PRUE

There has to.

Persephone looks at Prue and shakes her head. Prue glances at the door.

PRUE (CONT'D)

(to Priscilla)

Move aside.

Priscilla nods. Then Prue stares at a chest of drawers and fixes her glances on it. She squints her eyes and the drawer MOVES. Prue smiles. Then she walks towards Persephone.

PRUE (CONT'D)

Hand me that.

Persephone nods and hands her the book. Prue closes the book and stares at her sisters.

PRUE (CONT'D)

We need to believe it.

PERSEPHONE

I do believe it.

PRUE

Me too.

PERSEPHONE

Then why? We've got our magic back.

They start listening to the sound of the demon approaching.

PRISCILLA

Guys, hurry!

FADE TO:

INT. HALLIWELL MANOR - 1ST FLOOR CORRIDOR - NIGHT

The demon walks at a pace towards the attic.

FADE TO:

INT. HALLIWELL MANOR - ATTIC - NIGHT

Priscilla approaches her sisters. Prue stares at the book.

PRUE

I don't understand.

PERSEPHONE

What's missing?!

Prue stares at her sisters. Something pops into her mind.

PRUE

We need to embrace it.

PRISCILLA

Embrace what?

PRUE

What we are.

PERSOPHONE

The Charmed Ones.

Prue nods.

PRUE

(closes her eyes)

We are the Charmed Ones.

A loud knock on the door.

Something calls for their attention.

ON THE BOOK OF SHADOWS - The split Triquetra shines and suddenly it becomes whole again.

The three girls stare astonished at it.

PRISCILLA

Wow.

PERSEPHONE

Open it!

Prue opens the book and ---

ON THE BOOK OF SHADOWS - Something starts appearing there. The title page.

PRUE

Book of Shadows.

Prue turns the pages.

ON THE BOOK OF SHADOWS - As the pages are turned, it can be seen the first images appearing. Another page is turned and there it is. The Dominus Trinus spell starts appearing.

PRUE (CONT'D)

This is it.

SOUND - Another loud knock on the door.

They look at the door and see how the furniture is giving in.

PERSEPHONE

We're running out of time.

At that moment, a LOUD EXPLOSION. The girls look at the door as it turns into pieces. The demon comes in and stares at them. He smiles and WAVES his hands. Two FIREBALLS take shape. He throws them against them. Persephone raises her hands and ---

The fireballs as well as the demon FREEZE.

PERSEPHONE (CONT'D)

Wow!

PRUE

Quickly!

Persephone e Priscilla stand beside Prue.

PRISCILLA

Now what?

PRUE

We chant!

The three girls start reading the spell from the book.

PRUE / PERSEPHONE / PRISCILLA

'Hear now the words

of the witches,

The secrets we hid

in the night.

The oldest of Gods

are invoked here.

The great work of

Magic is sought.

In this night

and in this hour,

I call upon the

Ancient Power.

Bring your powers

to we sisters three!

We want the power!

Give us the power!'

FADE TO:

INT. HALLIWELL MANOR - FOYER - NIGHT

The chandelier hanging from the foyer ceiling starts to jingle and bounce. Unnatural blue light from above the ceiling shines down on the chandelier causing it to shimmer, glimmer, and shine allowing it to illuminate the entire room. This is no ordinary light.

FADE TO:

INT. HALLIWELL MANOR - ATTIC - NIGHT

The three girls stare at the spell.

PRISCILLA

Did it work?

PRUE

(glances at the demon)

We'll find out very soon.

The demon starts moving. Prue closes the book. All three sisters stare at the demon. The FIREBALLS start moving towards them and PRUE reaches out her hand. The FIREBALLS stop right before Prue's hand and then MOVE again back to the demon. He lowers down and is not hit.

Persephone and Priscilla hold Prue's arm.

PERSEPHONE

What do we do now?

The demon looks at them.

DEMON

Prepare to die, witches.

PRUE

I don't think so.

PERSOPHONE

(remembers something)

The power of three will set us free.

The demon starts throwing FIREBALLS towards them and Prue deviates each and every one of them aside.

PRUE

Let's do this, sisters.

The three of them start chanting.

PRUE / PERSEPHONE / PRISCILLA

'The Power of Three will set us free'

'The Power of Three will set us free'

'The Power of Three will set us free'

The windows are opened by the wind that comes strongly. They keep chanting. The demon keeps sending FIREBALLS towards them, but this time the FIREBALLS hit an invisible source field and go back to the demon. He can manage to deviate himself at first, but the last FIREBALL hit him. The demon BLOWS. The three women cover their faces. The wind stops as soon as the demon is gone. Prue, Persephone, and Priscilla stare at where the demon was just moments before.

PERSEPHONE

We did it.

All three of them breathe relieved.

PERSEPHONE (CONT'D)

We vanquished a demon.

PRUE

Yeah, we did. But that wasn't Alastair.

PRISCILLA

He sent him.

(looks at her sisters)

He'll send more.

Prue walks towards the center of the attic, she is still holding the book.

PRUE

We need to be prepared.

(turns to face her sisters)

The pedestal there.

They look at the pedestal.

PRUE (CONT'D)

It's time for this book to get back to its rightful place.

Prue looks at the book. Persephone and Priscilla look at each other and smile. Then they look at Prue who looks them back.

PRUE (CONT'D)

She was right. We've met our destiny tonight.

PERSEPHONE

We are Charmed.

PRISCILLA

And we rock at it.

All three sisters smile.

FADE TO:

EXT. PRESCOTT STREET - NIGHT

A car is pulled over in front of Halliwell-Coop manor. Gabriel and William jump out of the car.

WILLIAM

What the hell was that, man?

GABRIEL

Believe me, cous, I have no idea.

SOUND - A mother and her daughter walk across the street. The girl should be around 6 and holds her dog's collar as the pet tries to run to the street. The mother seems to be distracted on the cell phone. They both are on their pajamas.

Gabriel and William look at them and see how the dog manages to pull hard and rush to the street. A car approaches at high speed. The girl rushes behind the dog.

Gabriel and William can see the end of it already. Suddenly, William rushes to the street, but stops and stands still as he ASTRAL PROJECTS himself out of his body and next to the little girl. William grabs the girl and both roll out of the street. At the same time, the car approaches the dog. Gabriel WAVES his hands in an attempt to sign the dog to run, but instead, he moves the dog to the side of the road. The car passes at high speed. William's astral self fades out and William gets back to his body. Gabriel is astonished at the whole scene. The woman seems unaware of what happened. The girl rushes to the dog and holds it in her arms. William turns to Gabriel. Both of them are astonished.

WILLIAM

What the hell was that?

Gabriel shrugs. He looks at the Halliwell manor and realizes its door is open.

GABRIEL

I don't know, but something tells me we're about to find out.

Gabriel motions to the Halliwell Manor. Both of them rush up the front stairs.

FADE TO BLACK

END OF ACT FOUR

[Prue Brianna Johnna Halliwell]

ACT FIVE

FADE IN:

INT. HALLIWELL MANOR - FOYER - NIGHT

The front door is open. Gabriel and William rush inside and look around. The center table is on the floor and the flowers' jar is broken on the floor. Gabriel and William stare at it astonished.

Prue, Persephone, and Priscilla come downstairs. All three sisters are laughing.

PRISCILLA

No, seriously, his confidence look was priceless.

Now Gabriel and William are stupefied. The girls reach the bottom of the stairs.

PERSEPHONE

(looks at the table)

Who's gonna clean that up?!

They see the boys there.

PERSEPHONE (CONT'D)

Oh, hi, guys!

GABRIEL

Can someone tell us what's going on?

Prue, Persephone, and Priscilla glance at one another. Then they look at them.

PRUE

We've got our magic back.

GABRIEL

Come again!

Prue nods. Gabriel smiles.

WILLIAM

Wait. Is that for real?

PERSEPHONE

Meet, the new Charmed Ones, cousins.

WILLIAM

(wordless)

The --- the ---

PRISCILLA

Charmed Ones. Yes, Will.

GABRIEL

How did that happen?

PRUE

Do you have time for a long storytelling?

GABRIEL

I've just moved a dog saving it from being hit by a car. I've got all the time in the world.

All three sisters stare at them and smile.

FADE TO:

EXT. SAN FRANCISCO - NIGHT TURNING INTO DAY

AERIAL FOOTAGE all over the town as the image moves in FAST MOTION TO ---

FADE TO:

EXT. NEW YORK - DAY

FOOTAGE at several places.

FADE TO:

INT. CONDO - BEDROOM - DAY

Miranda is on the phone. She seems very excited.

MIRANDA

(on the phone)

Are you serious? I got that project? --- No, I'll be there. Thanks.

She hangs off the phone and cheers excited. She jumps happy and one of those jumps causes her to lift a little higher from the floor than what's considered normal. She jumps again and this time she is lifter higher. She stands suspense on the floor, astonished at what's happening. She's LEVITATING.

MIRANDA (CONT'D)

What the hell?!

And as she went up, she comes down and falls on the bed. Miranda is amazed.

MIRANDA (CONT'D)

(astonished)

What's going on?!

ON MIRANDA'S FACE - She's confused.

FADE TO:

INT. APARTMENT - BATHROOM - DAY

ON THE MIRROR - Pamela's reflection is shown on the mirror.

She's standing before the bathroom mirror staring at her own image on the mirror. She wears a robe and no make-up. She seems a little lost in her thoughts.

GUY (O.S.)

Pamela?

Pamela turns around out of a sudden and drops the perfume bottle that was at the edge of the bathroom sink. She tries to catch it and as she does, the bottle starts falling SLOWLY. The MOLECULES slow down. She stares at it surprised. Then she reaches down her hand and grabs the bottle. She looks astonished at it. She puts the bottle on the sink and stares at the mirror.

PAMELA

It's impossible!

A GUY comes in and approaches her.

GUY

Hey, come back to bed.

The guy approaches her and hugs her from behind. He starts kissing her neck.

GUY (CONT'D)

Last night was amazing. I don't remember doing it for that long ever.

Pamela keeps staring at her own image on the mirror.

PAMELA

Yeah. Me neither.

Her eyes are wide open. She seems like some idea has popped into her mind.

FADE TO:

INT. LISBON AIRPORT - ARRIVALS - DAY

Aiden arrives at Lisbon airport. He is just carrying a trolley. He notices his shoelaces are loose. He lowers down to tie the laces. Suddenly, he hears someone screaming and looks aside to where the scream comes from.

He sees it. An automatic luggage cart comes in his direction. Far behind him, a woman screams with the cart's control on her hand. It seems like she has lost control of the cart.

Aiden's eyes widen. The cart will hit him. He reaches out his hands in an almost failed attempt to stop it and closes his eyes.

BANG!

The sound is loud, but Aiden is unarmed.

He opens his eyes and glances around. He stands and checks his body. Not a scratch. The next thing he sees is a woman approaching him. The same that was screaming.

WOMAN

I'm so sorry. The remote control wasn't working.

Aiden is confused. He glances around and sees the cart against one of the columns and all the luggage scattered all over the floor. Several people stare at the scene.

WOMAN (CONT'D)

Thank God, the cart deviated itself.

The woman leaves him and walks towards her luggage.

AIDEN

(to himself)

Deviated itself. It can't be.

Aiden glances around confused. He walks away.

FADE TO:

EXT. SAN FRANCISCO - STREET - DAY

STILL VIEW.

FADE TO:

INT. LEO'S APARTMENT - LIVING ROOM - DAY

The room only has a sofa and a center table. A few boxes are there stacked on top of each other. It seems like someone's moving out.

Leonardo comes in wearing black boxers short and a black t-shirt. He is distracted on the phone and doesn't notice one of the boxes left in the middle of the floor. He trips over the box and staggers to the stacked boxes. The stacked boxes stagger too and it's about to fall on the floor spreading everything inside.

LEONARDO

Bollocks!

In an attempt to stop the boxes to fall, Leonardo gestures and fires a stream of ELECTRICITY at the boxes. The boxes are hit by it and explode in midair. Leonardo is astonished.

LEONARDO (CONT'D)

What the bloody hell just happened?!

Leonardo looks at his hands astonished.

FADE TO:

EXT. SAN FRANCISCO - DAY / NIGHT / DAY

AERIAL VIEW at the town as a couple of days pass.

FADE TO:

EXT. HALLIWELL MANOR - DAY (A COUPLE OF DAYS LATER)

STILL.

FADE TO:

INT. HALLIWELL MANOR - LIVING ROOM - DAY

ON A VASE - It MOVES slowly on the center table until it doesn't. The vase moves quickly until it hits a wall.

ON PRUE'S FACE - She grimaces.

Prue, Gabriel, and Persie stand next to each other. Priscilla is at a corner watching them.

GABRIEL

You don't need to rush it.

PERSEPHONE

That vase was Aunt Piper Anne's present.

PRUE

Oh, well she was never good at picking presents.

GABRIEL

Girls, let's try again.

PRUE

(to Gabriel)

Your turn.

Gabriel nods. He focuses on the lamp on one of the tables beside the couch. Then the lamp MOVES slowly as Gabriel moves it on the air.

PRUE (CONT'D)

Your turn, Persie.

Persephone nods. She WAVES her hands, but the lamp keeps moving.

GABRIEL

I can't hold it any longer.

PERSEPHONE

I can't freeze it.

Gabriel gives up and the lamp starts falling, but Prue WAVES her hands and sends the lamp straight to Persephone. She frightens and gestures FREEZING the lamp right in front of her face.

PERSEPHONE (CONT'D)

Crap!

PRUE

Fear! That's the trigger.

Persephone grabs the lamp and puts it back on the table. She looks at Prue.

PERSEPHONE

Were you trying to hit me with it?

PRUE

It worked, didn't it?

Prue smiles.

SOUND - A cell phone beeps.

Persephone takes her phone from her back pant's pocket and checks the text. She smiles.

GABRIEL

Fear.

Gabriel takes the notebook and a pen from the center table and writes something down.

PRISCILLA

Why do Gabriel and Prue get to have the very same power while I had to stick with a useless power?

Priscilla sounds disdainful. Prue, Persephone, and Gabriel look at her.

GABRIEL

Hey, don't talk like that.

PERSEPHONE

That's one of Melinda Warren's power. It makes you a Charmed One.

PRISCILLA

Yeah, but it servers not when it comes to defending myself.

PRUE

You can see things that haven't happen.

PRISCILLA

Do you want to trade powers?

Priscilla walks towards them.

PRUE

Premonitions were one of Grams' powers. And also her mother before her.

PERSEPHONE

Not to mention Aunt Allana.

PRISCILLA

They had more than premonitions. They had other powers. Powers enough to help them fight.

Prue and Persephone trade glances.

GABRIEL

Mattea Halliwell had none.

They all look at Gabriel.

GABRIEL (CONT'D)

My grandmother was extraordinary without being a real witch.

PRISCILLA

You don't even remember her.

GABRIEL

True. But I remember the stories. She rocked at spell writing.

PRISCILLA

She was trained by the great Prue Halliwell, her mother.

GABRIEL

Adoptive mother. There was not a single drop of Warren blood in her veins. But she grew up in this family and she learned the craft. She didn't have active powers. She fought in the back. Writing spell, preparing potions, you name it. It didn't make her less of a Warren.

Priscilla lowers down her gaze.

PRISCILLA

I know.

(looks at Gabriel)

I'm sorry.

PRUE

Look, Pris, I know you are frustrated because your power hasn't shown since the other night. But I can assure you that we moved fast because you saw the demon coming here.

PERSEPHONE

Yeah, Pris. Besides, with the right training, you'll be able to get control of the premonitions and have them at will. And with time, you might get other powers as well.

Prue, Priscilla, and Gabriel look at Persephone.

PERSEPHONE (CONT'D)

Let's not forget that we are hybrids.

They stare seriously at Persephone.

PERSEPHONE (CONT'D)

Right? Grams said I started orbing at three so ---

GABRIEL

Right. I remember orbing out of bed to the kitchen in the middle of the night looking for my mother's cookies.

PRUE

Right.

PERSEPHONE

(to Prue)

And you ---

Prue looks aside.

PERSEPHONE (CONT'D)

(to Prue)

You had a lot of them.

PRISCILLA

(sarcastic)

Oh, great!

PERSEPHONE

No, it's true.

GABRIEL

It's true. She's not only the firstborn. She's a Twice Blessed. The heiress of the greatest of powers.

Prue turns to them.

PRUE

I'm not Twice Blessed or anything like it.

PERSEPHONE

You are a triple hybrid and therefore the owner of the Twice Blessed Power.

PRUE

I'm not. At least not yet.

GABRIEL

There's no spell to activate that, you know. It's within you.

Prue starts getting mad.

PRUE

Let's drop it, okay? One thing at the time. Yes, we might be hybrids, but so far we are just witches. Period.

Gabriel and Persephone trade glances.

SOUND - Another beep.

Persephone checks her cell phone.

PRUE (CONT'D)

Who's texting you so often?

Persephone is about to answer, but ---

SOUND - FRONT DOOR.

William soon comes in.

WILLIAM

Got it done.

He glances at them as they look at him.

WILLIAM (CONT'D)

Work, I mean.

GABRIEL

You said you had a long day ahead of you.

WILLIAM

Yeah, well. In the rush of getting everything done I kinda astral projected myself to another room.

Persephone takes her eyes from the cell phone.

PERSEPHONE

What?

WILLIAM

Don't worry, no one saw it. Just one of my colleagues noticed my normal body's dizziness. They sent me home.

PERSEPHONE

You need to control that too.

WILLIAM

(fake smiles)

Yeah. I know.

Persephone takes a notebook and a pen from the couch and starts writing down something. Prue notices it.

PRUE

What is it with the two of you and the writing?

Prue glances from Persephone to Gabriel and Persephone again.

PERSEPHONE

Oh, you'll know very soon.

GABRIEL

I'll need to go to P3 now. Someone needs to work.

PRUE

I'll come with you.

PERSEPHONE

No need. I called Daisy and she'll take care of it tonight.

PRUE

Again?

PERSEPHONE

(sarcastic)

Oh, look, the worried manager.

PRUE

I'm not ---

Prue cuts herself up.

PRUE (CONT'D)

We can't keep leaving P3 to the employees.

PERSEPHONE

They are capable of taking care of it for a few nights.

Gabriel and William trade glances. Persephone seems suspicious.

PRISCILLA

(to Persephone)

What's going on, sis?

PERSEPHONE

You'll find out.

SOUND - DOORBELL, AND CELL PHONE BEEP.

PRUE

(at Persephone)

I'll get that and then you'll explain.

Prue leaves the living room. Persephone checks her cell phone.

FADE TO:

INT. HALLIWELL MANOR - ENTRANCE - DAY

Prue comes from the living room and opens the door.

BEAT.

Prue's eyes widen as she looks at who's there; Leonardo stands still looking at her.

PRUE

You.

Leonardo swallows. Both of them look deeply at each other. He wants to say something but is cut off.

Persephone comes from the living room.

PERSEPHONE

Leonardo?

Leonardo looks at Persephone as she approaches them while Prue stares seriously at him.

PERSEPHONE (CONT'D)

Leonardo Matthews.

LEONARDO

(nods)

Leo, please.

Persephone reaches out her hand.

PERSEPHONE

Persie Halliwell.

Leonardo smiles.

PERSEPHONE (CONT'D)

Welcome to Halliwell manor. Come in.

Prue looks at Persephone confused. Leonardo comes in. As he passes by Prue both stare deeply into each other's eyes. Prue closes the door behind her. Leonardo follows Persephone into the living room. Prue can't avoid confusing thoughts. Then she follows them into the living room.

FADE TO BLACK.

END OF ACT FIVE

[Prue Brianna Johnna Halliwell]

ACT SIX

FADE IN:

INT. HALLIWELL MANOR - LIVING ROOM - DAY

Priscilla, Gabriel, and William see Persephone walking in followed by Leo. Prue comes in next.

PERSEPHONE

Everyone this is Leo Matthews.

Leo gestures a hello to them. Prue stands beside Leo.

PRUE

(to Persephone)

Can you explain what's going on here?

Persephone glances at Gabriel who shrugs. Prue notices the glances between them.

PRUE (CONT'D)

I'm waiting.

Leonardo glances at Prue. Then Prue looks at Leonardo.

PRUE (CONT'D)

Who is him?

PERSEPHONE

Family. A distant relative.

Prue glances amazed at Leonardo.

PRUE

A what?

(looks at Persephone)

Care to elaborate?

Persephone takes a deep breath.

PERSEPHONE

I've spent the past days contacting our relatives.

Prue's eyes widen.

PERSEPHONE (CONT'D)

I reached everybody.

PRUE

How did you do that if we don't know everybody?

PERSEPHONE

Grams' phone list.

Prue swallows.

PRISCILLA

We found it a while ago among Grams things. It was full of phone numbers and emails. All belonged to Warrens' descendants.

PERSEPHONE

Back then I created a group on Winkzy.

PRUE

What the hell is Winkzy?

WILLIAM

An app. A messaging app.

PRUE

Right. Which I don't know about because I'm not a suitable user.

(to Persephone)

Continue.

PERSEPHONE

I created the group because I thought it was easy to keep in touch with our family. Obviously, not everyone was on Grams contacts' list. Leo was added by his mother. She's not a Warren descendant but was married to one.

Leonardo lowers his gaze. Prue looks at him. Then at her sister.

PERSEPHONE (CONT'D)

So, since we've got our powers back I got in touch in the group and everybody confirmed that they've got their powers back. Well, some of the children haven't, but it'll be a matter of time.

PRUE

It still doesn't explain his ---

(glances at Leonardo)

--- presence here.

PERSEPHONE

Well, I told them that we encountered Alastair, and well, some got interested in joining the team.

PRUE

What team?

PERSEPHONE

Our team, Prue.

PRUE

What are you talking about? The Charmed Ones are a trio.

PERSEPHONE

Yeah, but we are part of something greater. The Warren Line.

Prue and Leonardo glance at each other.

GABRIEL

We can do what our ancestors did, Prue.

Prue looks at Gabriel.

GABRIEL (CONT'D)

Fight against evil.

PRUE

So, what? All of them are joining us?

PERSEPHONE

Not everybody. Just a few. People can't just leave their lives.

PRUE

How many are a few?

Persephone glances at the others.

PERSEPHONE

One? Or two?

Prue stares seriously at her.

PERSEPHONE (CONT'D)

Maybe three more Warrens.

Prue rolls her eyes.

LEONARDO

For the record, for me, this was a last-minute decision.

Prue looks at him and listens to his voice for the first time since ---

Well, since two nights before. And her expression tells him that she knows he was the 'celebrity' from two nights before.

PRUE

(at the others)

Great. Why didn't you tell me?

GABRIEL

I wanted to.

PERSEPHONE

You would try to stop us.

PRUE

Indeed, I would.

PERSEPHONE

Prue, this is what we must do. It's what she wanted us to do.

PRISCILLA

Aunts Piper Anne and Allana agreed.

PRUE

They are not here.

WILLIAM

The more the merrier, cous.

Prue glances at them all. Then she looks at Leonardo who looks at her.

PRUE

Who are you, ---

(pauses)

--- Leo?

Both stare deeply into each other's eyes.

FADE TO:

EXT. THE HEAVENS - DAY

STILL.

FADE TO:

INT. THE UPPER REGIONS - DAY

The peaceful and serene place located within bright clouds with pillars of white stone that appear to reach endlessly into the sky connected by high arcs is where the Council of Elders commune and where they assign their Whitelighters to Witches.

Several Elders and Whitelighters are there. A couple of Elders wearing golden robes comes walking. One of them is SEBASTIAN WHITMORE (123, appears 40's) and the other one is ALBERTA (200, appears 40's).

ALBERTA

I've heard the rumors. Some of us felt it. Is it true? Have the Halliwells got their powers back?

Sebastian looks at her.

SEBASTIAN

It appears that the whole Warren descendants have.

ALBERTA

The new Power of Three?

SEBASTIAN

We don't know much.

ALBERTA

You were one of those who felt it, right? After all, your descendants are down there.

Sebastian lowers his gaze as he remembers those long-gone years.

ALBERTA (CONT'D)

I'm sorry. I know that speaking about this brings memories of your wife.

SEBASTIAN

Tamora died forty years ago and I still remember her smile. I was with her my whole life. We raised our children together. We saw one of them die killed by a demon.

(sighs)

I knew my grandchildren and one or two great-grandchildren. But I don't even know if any of them are alive.

ALBERTA

You were one of those who decided to close down Heavens after the Lost, right?

Sebastian nods.

ALBERTA (CONT'D)

You did it to protect us. With the Halliwells ---

(pauses)

--- Warrens' powers out there in the hands of a powerful demon, we could be at risk. This place could be at risk.

SEBASTIAN

I know. But sometimes I question myself if we shouldn't have done more. Evil hasn't stopped. Innocents remained there. Future Whitelighters died without fulfilling their destiny. Witches left alone at their own luck.

ALBERTA

That was done for us to have a chance of getting back.

SEBASTIAN

I know. I know.

ALBERTA

So, what now?

Sebastian glances around thoughtful.

ALBERTA (CONT'D)

Are we going to open the place again?

SEBASTIAN

First, we need to know if what we felt is true.

ALBERTA

How are we going to do that?

SEBASTIAN

We'll send someone. A Whitelighter. As we speak he is being prepared. He needs to learn a lot about them so he can get close.

ALBERTA

Will he reveal himself to them?

SEBASTIAN

Not at first, no. He needs to gain their trust first.

ALBERTA

Who's the chosen one?

SEBASTIAN

Our golden man.

Alberta's eyes widen as she knows who Sebastian is talking about.

FADE TO:

INT. HALLIWELL MANOR - LIVING ROOM - DAY

Leonardo is sitting on the couch. Persephone and Priscilla are sitting across from him. William, Gabriel, and Prue stand.

PERSEPHONE

So, Leo comes from Junior's ramification.

LEONARDO

Indeed.

PRUE

Ramification?

Persephone glances at Prue.

PERSEPHONE

Yes. Junior's line.

PRUE

So, he is a very, very ---

(looks at Leonardo)

--- very distant relative.

(turns to the others)

Junior was adopted, so he was not even a close relative to his sister and cousins.

PRISCILLA

You can be so rude sometimes.

PRUE

It's true. We wouldn't even know about him if Paige hadn't saved him when his mother died.

LEONARDO

True. But he was a Warren. And so am I.

PRUE

I didn't mean to offend.

Leonardo smiles.

PRUE (CONT'D)

You know what? Huh, this is too much for me. I've been tired. I think I need a moment alone.

Prue walks out of the living room. Leonardo watches as she leaves. Persephone gestures Gabriel to follow her. Gabriel grimaces but then goes after her.

PERSEPHONE

(to Leonardo)

Excuse my sister. She can be a ---

PRISCILLA

(cuts her off)

Pain in the ass most of the time.

WILLIAM

You'll learn to love her.

Leonardo smiles. Persephone, Priscilla, and William glance at one another.

FADE TO:

INT. HALLIWELL MANOR - KITCHEN - DAY

Prue comes in and takes her hands to her hips. She leans her head back and closes her eye. She lets out a loud groan. Gabriel comes in and stares at her.

GABRIEL

Are you okay?

Prue turns around. She looks at him and sighs.

PRUE

It's been overwhelming. The past few days.

GABRIEL

I know.

PRUE

Am I that terrifying that you were afraid to tell me about this plan of yours?

GABRIEL

You are not terrifying. Not to me at least. The thing is, Prue ---

He pauses as he says her name as if he is asking her permission to call her like that.

PRUE

It's Prue now.

GABRIEL

(smiles)

Well, I was saying, Prue, that we knew you would be against it at first. So, Persie thought of telling you after their arrival.

PRUE

I don't think that's a good idea. We don't know anything about them. We don't know that Leo.

GABRIEL

He's family.

PRUE

No, he's not. Not mine. You are family. William is family. Even Miranda who lives across the country is family. Not him.

GABRIEL

Then let's take PRthe chance to get to know him. Them.

As they speak, Leonardo can be seen entering the kitchen. Prue sees him coming as he approaches them.

LEONARDO

Sorry.

Gabriel looks at them. Leonardo and Prue stare at each other.

LEONARDO (CONT'D)

I didn't mean to cause any trouble by coming here.

GABRIEL

You didn't, men.

Leonardo smiles at Gabriel.

LEONARDO

I just wanted to help in any way I can to fight and vanquish this bloody demon who took a lot from us.

(looks at Prue)

I just want to help.

They stare at each other deeply. Gabriel glances from one to the other.

PRUE

Charming!

Prue seems lost in Leonardo's eyes. Gabriel shoots her a look.

PRUE (CONT'D)

(comes back to reality)

I mean, the accent. I mean ---

(confused)

--- You know what? I need to be alone.

Prue walks past them and out of the kitchen. Leonardo and Gabriel watch her leave, then they look at each other.

GABRIEL

Don't mind her. She is just Prue being Prue.

Both of them smile.

FADE TO BLACK.

END OF ACT SIX

[Prue Brianna Johnna Halliwell]

ACT SEVEN

FADE IN:

INT. PRUE'S BEDROOM - DAY

She comes in and slams the door behind her. She lets out a silent groan.

PRUE

So many people in the world. So many men in the world and he had to be a Warren.

(sighs)

And I had to sleep with him. Damn, Prue! Alex. I was Alex back then.

She looks herself at the standing mirror.

PRUE (CONT'D)

Okay. Maybe he doesn't remember you. Please God, make him not remember me.

SOUND - Horn.

Prue glances at the window. She walks over to the window and stares through it.

PRUE (CONT'D)

What the hell?!

She turns around and walks out of the bedroom.

FADE TO:

INT. HALLIWELL MANOR - FOYER / STAIRCASE - DAY

Gabriel and Leonardo are on the staircase. Gabriel is showing him the photos on the wall.

GABRIEL

Those were the original trio of Charmed Ones. Prue, Piper, and Phoebe. In this other photo, we see Piper, Phoebe, and Paige.

LEONARDO

My great-great-grandmother. I mean adoptive.

GABRIEL

Cut the adoptive. Junior was Paige's son. Period.

Leonardo smiles.

PRUE (O.S.)

Who called for a limo?

Leonardo and Gabriel turn to Prue who's coming downstairs.

GABRIEL

A limo?

PRUE

Outside.

Prue walks past Leonardo who stares at her while she pretends to ignore him. Prue goes outside. Persephone, Priscilla, and William come from the living room. Gabriel and Leonardo approach them.

GABRIEL

(at Persephone)

A limo?

Persephone shrugs.

PERSEPHONE

Another relative.

Gabriel stares at her.

FADE TO:

EXT. HALLIWELL MANOR - PORCH / STREET - DAY

A limo is pulled over. The driver comes out and walks over the back passengers' door. He opens it.

Prue stares at it and sees how a red-haired woman, wearing a white short dress comes out of the limo; Pamela. Leonardo comes from inside the manor and stands right behind Prue. She feels his presence.

LEONARDO

Who is it?

Prue looks at him from over her shoulder. Their eyes meet and they hold the glance on each other for a few seconds.

PRUE

I have no idea.

PAMELA

(to the driver)

Take the bags to Whitmore manor, please.

Prue and Leonardo look at Pamela.

PAMELA (CONT'D)

I'll call you later.

The driver nods. Pamela glances at the Halliwell manor.

PAMELA (CONT'D)

So, this is the famous Halliwell manor?!

Pamela climbs the stairs.

LEONARDO

Pamela Whitmore.

PRUE

How do you know?

LEONARDO

The Whitmores are clients of the firm I used to work for.

Pamela reaches them. She looks at them.

PAMELA

Hello! I'm Pamela.

PRUE

I'm Prue.

PAMELA

A Charmed One.

Pamela walks inside. Prue turns around to walk in, but Leonardo is in her way. They look at each other. The tension between them is notorious.

PRUE

Charming!

Prue walks in. Leonardo smiles big.

FADE TO:

INT. HALLIWELL MANOR - LIVING ROOM - DAY

Pamela comes in followed by Persephone, Priscilla, William, Gabriel. Prue and Leonardo are the last to come in. Pamela glances around.

PAMELA

I was told you kept the old magic of this place, but damn, you could've modernized it a little bit, couldn't you?

PRISCILLA

I've been saying that my whole life.

Persephone shoots her younger sister a look.

PERSEPHONE

Pamela, nice to meet you.

Pamela glances at them all.

PRUE

Who is this supposed to be?

PERSEPHONE

Tamora's ramification.

(to Prue)

Line.

LEONARDO

Pamela. Hi.

Leonardo walks towards her and reaches out his hand introducing himself.

LEONARDO (CONT'D)

I'm Leo Matthews. We've met before.

Pamela shoots him a look.

LEONARDO (CONT'D)

Fan's aggression. A couple of years ago.

PAMELA

(remembers)

Oh. Right.

Pamela smiles.

PAMELA (CONT'D)

Are we family?

Leonardo nods.

PAMELA (CONT'D)

Then, a handshake is not proper.

Pamela approaches him and kisses his cheek. Prue grimaces. Then Pamela glances at the others.

PAMELA (CONT'D)

So, magic is back, right?

GABRIEL

Have you got any powers?

PAMELA

The same I had before the Lost. Molecular Deceleration.

PRISCILLA

You freeze things?

PAMELA

Not quite. I slow them down. I was in a very compromising situation when it happened. Not to talk about the wave that hit me.

PRUE

I bet it wasn't worse than ours!

WILLIAM

(curious)

What compromising situation?

Pamela looks at William.

PAMELA

You had to ask. Well, you're family. I was with my ---

(pauses)

--- friend. He and I --- we were, you know ---

Their eyes widen.

PAMELA (CONT'D)

I didn't mean to slow down the whole thing, but I was nervous because of what happened in the fashion show when the wave hit me and ---

(swallows)

It lasted for hours.

They all are wordless.

GABRIEL

How many ---?

PERSEPHONE

Gabs!

GABRIEL

Sorry.

SOUND - FRONT DOOR.

Soon, someone comes into the living room.

AIDEN

Hello, family.

Aiden smiles at them. They all look at them.

AIDEN (CONT'D)

I'm back.

PAMELA

Aiden Sullivan? The tourist destination's writer?

Aiden nods. Pamela smiles.

PAMELA (CONT'D)

I follow you on social media.

Aiden smiles at Pamela. The others look at one another.

FADE TO:

INT. UNDERWORLD - DEMONIC BAR - DAY

The bar is crowded. There is loud music and demons are there drinking and dancing.

Sitting at the bar is a male demon, (TRACE, 150, appears in his 30s). He drinks some red liquor.

Another demon approaches from behind, Benni (appears in his 20s)

BENNI

He has returned.

Trace looks at Benni over her shoulder.

TRACE

After all these years?

BENNI

He was trapped. He requests your presence.

TRACE

And the witches?

BENNI

No confirmation yet, but it seems that they have got their magic back.

TRACE

Damn it! Tell him I'll be there.

Benni nods. Then he turns around and leaves.

FADE TO:

INT. HALLIWELL MANOR - LIVING ROOM - DAY

Everybody is there. Persephone and Priscilla are sitting next to Pamela, while Gabriel, William, and Aiden are sitting across them. Leonardo stands at the fireplace and a few centimeters from him, Prue stands as well.

PAMELA

So, yes, the suggestion he gave me for my vacations was the best.

Aiden smiles.

AIDEN

Glad you like it. What I didn't know is that Pamela Whitmore, the IT girl, was one of my distant relatives.

PRUE

(whispers)

It girl?

LEONARDO

She's a top model.

Prue glances at Leonardo.

PRUE

Right.

LEONARDO

You don't read magazines, do you?

PRUE

I prefer books.

LEONARDO

So do I.

Prue looks aside and tries to breathe.

WILLIAM

So, Aiden, how was it for you?

AIDEN

I deviate myself from a luggage cart in Lisbon.

PAMELA

So, that's your power?

AIDEN

A form of it. My parents said that I used to have deflection. But deflection can only be used if I'm being attacked, which wasn't the case.

Persephone takes her notebook and writes something down.

PERSEPHONE

We need to keep a record of this.

PRUE

(to Leonardo)

What's yours?

Leonardo looks at her.

LEONARDO

Electrokinesis.

Prue stares astonished at him.

PRUE

That's very ---

LEONARDO

Yeah. What's yours?

PRUE

Telekinesis. But I might receive other powers someday.

Prue looks aside. Leonardo stares at her. From the couch, Gabriel looks suspiciously at them.

PRISCILLA

This is great. It's been a while since we had such a family reunion. I barely forgot we are reunited to fight against a demon.

The others laugh.

SOUND - FRONT DOOR.

MIRANDA (O.S.)

Family? I'm back!

The laugh ends.

WILLIAM

Oh, no.

Miranda comes into the room. William stands.

WILLIAM (CONT'D)

Why is she here?

Priscilla rushes to Miranda. Both hug.

PRISCILLA

Miranda! So glad to see you here.

MIRANDA

If the mountain won't come to Muhammad, then Muhammad must go to the mountain.

WILLIAM

Are you seriously comparing yourself to Muhammad?

Priscilla and Mirada break the hug.

MIRANDA

I'm actually more like a mountain.

William rolls his eyes.

LEONARDO

(to Prue)

Am I missing something?

PRUE

It's complicated.

(looks at Leonardo)

Siblings.

LEONARDO

Oh.

PRUE

And cousins.

LEONARDO

Oh?

PRUE

Same mother, different Warren father.

LEONARDO

Right.

Both Leonardo and Prue look at each other.

PRUE

Happy to be part of this family?

Both stare at each other deeply.

WILLIAM

Who invited her?

Prue and Leonardo look at them.

PRISCILLA

I did. She's family.

PERSEPHONE

And she wanted to come.

MIRANDA

Oh, brother, let's not complicate each other's life.

GABRIEL

Will, she's right. Things are already complicated.

WILLIAM

She's a pain in the ass.

MIRANDA

I heard you.

GABRIEL

We can deal with pain in the asses.

PERSEPHONE

(glances around)

Guys!

They look at Persephone.

PERSEPHONE (CONT'D)

Have you realized we are making history?

They glance at one another.

PERSEPHONE (CONT'D)

It was a long time ago since the last time nine Warrens reunited in this very same room. The Destined Ones.

GABRIEL

This family has been reunited before, Persie. Birthday parties, weddings, ---

(pauses)

--- funerals.

Prue lowers her gaze. Leonardo notices that has shaken her.

PERSEPHONE

Like I said, nine. There's a team of nine again.

PAMELA

So, we are really doing this? Fighting evil?

GABRIEL

We must train a lot.

WILLIAM

And learn how to control our powers.

PERSOPHONE

We might get new powers anytime soon. After all, we were hybrids before the Lost.

(smiles)

We can do this. Is everybody on board the Warrens' new power of nine?

Pamela stands.

PAMELA

I was needing a change.

They all look at her.

PAMELA (CONT'D)

Count me in.

MIRANDA

(smiles)

All my life I could only dream of what was being a witch, a real witch. Now I am one. So, yes. I'm in.

GABRIEL

Me too.

WILLIAM

Me too.

PRISCILLA

I was disappointed in this family, now I can see there's no reason to quit just yet. I'm in.

PERSEPHONE

I found our magic, so, of course, I'm in too.

They all look at Prue and Leonardo. Leonardo looks at Prue.

LEONARDO

I am if you are.

Prue looks at him.

PRUE

We're game.

Leonardo smiles. Then Prue turns to the others.

PRUE (CONT'D)

Now, where are we going to accommodate so many people?

They glance at each other.

MIRANDA

I'm staying with my brother and Gabs.

WILLIAM

I didn't invite you.

MIRANDA

You have a spare room. It's mine.

PAMELA

Well, I'll be staying at Whitmore manor. If someone needs a place to crash, will be welcome.

AIDEN

You know, I was thinking. Matthews-Mitchell manor.

PRUE

It's been empty for years.

AIDEN

I'm not gonna stay on a couch and staying at Whitmore manor is not my scene.

(looks at Pamela)

Nothing against you.

Pamela smiles.

PERSEPHONE

It's actually a good idea.

(to Leonardo)

What about you?

LEONARDO

I was actually moving out. I've rented a place recently.

PERSEPHONE

Well, you don't have to.

AIDEN

(to Leonardo)

Yeah, men. Let's move there.

Leonardo glances at Prue. She looks at him.

PRUE

(sighs)

I'll get the keys.

Prue walks out of the room. Leonardo looks at the others.

LEONARDO

It's settled then.

Everyone smiles. Leonardo smiles.

FADE TO BLACK.

END OF ACT SEVEN

[Prue Brianna Johnna Halliwell]

ACT EIGHT

FADE IN:

INT. UNDERWORLD - ALASTAIR'S CAVE - DAY

The cave is pretty much like any other cave in the Underworld. There's nothing that can distinguish it from the others.

Trace comes in and glances around. He smirks as Alastair can be seen FLAMING in the background. Alastair glances at him.

ALASTAIR

Long time no see.

Trace glances over his shoulder. Then he turns around and gets face to face with Alastair.

TRACE

Welcome back.

Alastair smirks.

ALASTAIR

The Demonic Soldiers of Fortune. How is it going for you and your team?

Alastair walks past him.

TRACE

Almost twenty years gone and that's what you ask? How are we doing?!

Alastair smirks.

ALASTAIR

Humor me.

Trace rolls his eyes.

TRACE

We've been doing fine. Gained power above.

ALASTAIR

Good to hear.

Alastair turns to Trace and walks over to him. Both stare inches from each other.

ALASTAIR (CONT'D)

Who do you answer to?

Trace gives him a pointed look.

TRACE

For the past twenty years, we answered to no one. Now, we answer to you.

Alastair smirks.

ALASTAIR

Good to hear.

Alastair turns around.

TRACE

Is it true? They are back as well? I mean, their magic?

Alastair doesn't turn back.

ALASTAIR

They don't know who they're dealing with.

Trace is annoyed as he hears that.

ALASTAIR (CONT'D)

We must move fast before their powers grow.

TRACE

They are the freaking Warrens.

Alastair turns to him.

ALASTAIR

They are not what they were before. Yes, some never gave up the fight, despite being powerless. But some have.

TRACE

The Power of Three has been retrieved. They can learn the craft and so vanquish me and my brothers and also you, Alastair.

ALASTAIR

That's why we must stop them from learning. And take their magic again.

TRACE

Like last time? What happened last time anyway? You banished.

ALASTAIR

I was trapped.

TRACE

By whom?

ALASTAIR

By the third generation of Charmed Ones.

Trace smiles sarcastically.

ALASTAIR (CONT'D)

They were powerless but they managed to trap me. I suspect that they had that planned before and learned a way to do it.

TRACE

And they will now as well. It's the freaking Charmed Ones.

Alastair gets angry.

ALASTAIR

(out loud)

And I'm Alastair. The one who did break them apart. I may have disappeared for almost twenty years, but I broke them apart before.

(lowers his voice)

And now that I'm back and they don't know what they're dealing with, I'll do it again.

Trace and Alastair hold glances on each other.

TRACE

What do you want me to do?

Alastair smirks mischievously.

ALASTAIR

I want the Warren Book of Shadows.

(pauses)

At any cost. And I want it fast.

Trace stares seriously at Alastair for moments, then he nods.

TRACE

Considered it done.

Alastair smirks. Trace nods and then he SHIMMERS out.

ON ALASTAIR - He is serious.

FADE TO:

INT. MATTHEWS / MITCHELL MANOR - FOYER / STAIRCASE - DAY

The only light in is the light that comes from the windows. The front door opens and Prue comes in followed by Leonardo and Aiden. They look at the place. It needs cleaning. The furniture is old.

PRUE

It needs some cleaning. And a human touch. But Grams always kept it suitable to be inhabited, but it's been years since someone lived here.

AIDEN

It works for me.

Aiden turns to them.

AIDEN (CONT'D)

I'll get the biggest bedroom.

Aiden walks into the house and heads upstairs.

LEONARDO

Hey, that's not fair!

Aiden doesn't stop. Prue turns to Leonardo.

PRUE

Don't worry. The biggest bedroom isn't the master bedroom.

Leonardo and Prue look at each other.

LEONARDO

Does it mean that I can get the master bedroom?

PRUE

It has a private bathroom.

Leonardo smiles. For a few seconds, they stare at each other in the eyes.

PRUE (CONT'D)

A celebrity, huh?!

Leonardo grimaces.

LEONARDO

Sorry about that.

Prue looks aside and walks into the house.

PRUE

Come. I'll show you your bedroom.

Prue walks upstairs. Leonardo follows.

FADE TO:

INT. MATTHEWS / MITCHELL MANOR - MASTER BEDROOM - DAY

The bed is not made. Some furniture is covered with a white sheet.

The door opens. Prue comes in and turns on the light.

PRUE

Good. Still works.

Leonardo comes in and glances around.

LEONARDO

It works for me.

Prue stares at him.

PRUE

Did you know who I was?

Leonardo looks at her.

PRUE (CONT'D)

Two nights ago at P3?

Leonardo nods. Prue lowers her gaze, then she turns to leave.

LEONARDO

5 years ago.

Prue stops. She closes her eyes realizing he remembers her from before.

LEONARDO (CONT'D)

That was the first time I saw you.

Prue turns around.

PRUE

(disguises)

I don't know what you're talking about.

LEONARDO

Yes, you do. You left in the middle of the night, ---

(dramatic pause)

--- Alex.

Prue's expression hardens.

PRUE

It's Prue now.

LEONARDO

Back then you were just Alex.

PRUE

I was drunk. What happened then shouldn't have happened.

LEONARDO

You weren't that drunk. I wasn't that drunk.

PRUE

I told you, Leo. I don't do relationships.

LEONARDO

Right, you are the type who jumps into the first men you meet.

As soon as Leonardo says that he regrets it. Prue's expression gets even harder.

LEONARDO (CONT'D)

I'm sorry I didn't ---

PRUE

You don't know anything about me.

(mad)

I was broken then. Grams had just died and I felt lost. Damn, I still am.

Prue lowers her gaze.

LEONARDO

I know. I was there.

Prue looks at him.

LEONARDO (CONT'D)

At the funeral.

Prue's eyes widen.

LEONARDO (CONT'D)

That was when I learned who you were.

PRUE

You knew who I was and where I was all these years?

Leonardo nods.

LEONARDO

I wanted to come to you several times, but ---

(frowns)

Damn, Alex, you left in the middle of the night.

PRUE

The name is Prue.

They stare at each other.

PRUE (CONT'D)

It shouldn't have happened. You and me. It should have never happened.

Leonardo lowers his gaze. Prue turns to leave. Aiden comes in.

AIDEN

So, this is yours!

Aiden glances around.

PRUE

If you guys need something, just cross the street. I'll send sheets and blankets.

AIDEN

Thanks, Alex?

PRUE

It's Prue now.

Prue glances over her shoulder at Leonardo while he looks at her. Then she leaves the bedroom.

AIDEN

Is she alright?

LEONARDO

You know her better than me.

AIDEN

Prue? No one knows what exactly happens in that woman's head. She's a mystery to others.

Leonardo smiles sarcastically.

FADE TO:

INT. HALLIWELL MANOR - FOYER / STAIRCASE- DAY

Persephone, Priscilla, and Gabriel come downstairs carrying some bedding.

Prue comes from the front door and slams the door behind her. The others notice her anger.

PERSEPHONE

Hey, are you okay?

PRUE

(rude)

Never been!

Persephone, Priscilla, and Gabriel look at each other.

PRUE (CONT'D)

We're the others?

PRISCILLA

Pamela left and William took Miranda home.

PERSEPHONE

Those two are going to kill each other.

PRUE

I'm gonna get ready.

Prue walks past them.

PERSEPHONE

Where are you going?

PRUE

P3.

PERSEPHONE

But Prue ---

Prue turns to them with a hard expression on her face.

PRUE

I'm the damn owner of that club so, I'm gonna take care of it.

Prue walks upstairs. Persephone, Priscilla, and Gabriel are astonished.

GABRIEL

That is new.

PRISCILLA

Yeah. I swear that I will never understand her.

GABRIEL

Do you want me to talk to her?

PERSEPHONE

No, Gabs. I think this time she needs to be alone. We'll talk to her in the morning. Let's go.

The three of them leave through the front door.

FADE TO:

INT. HALLIWELL / COOP MANOR - BEDROOM - DAY

Miranda comes in followed by William. Miranda glances around.

WILLIAM

You just need to change the sheets. Aiden used to stay here. He never liked the fourth bedroom. It's too small. We turned it into a gym.

Miranda turns to him.

MIRANDA

Can I use it?

William and Miranda stare at each other.

WILLIAM

Sure.

William turns to leave.

MIRANDA

You don't bother me and I don't bother you, bro.

William turns to her.

WILLIAM

Why are you here, Miranda? You don't even remember having magic. Not as the rest of us. You just heard stories.

MIRANDA

Besides the fact that magic is part of me, I want to find mom.

William's expression hardens.

WILLIAM

Mom left us.

MIRANDA

Did she? Or was she forced to?

WILLIAM

Where did that come from?

MIRANDA

Don't you think is weird that after mom left, dad has become distant.

WILLIAM

Well, your father had his reason. She left.

MIRANDA

He always took care of us. Took care of you as his own son, and when she left he spent more and more days away. I think he was looking for her.

WILLIAM

Miranda, our mother left. She couldn't take your father's addiction to alcohol.

MIRANDA

He's healed. Hasn't touched in alcohol for years.

WILLIAM

How do you know? Have you seen him recently?

Miranda looks aside proving that she hasn't.

MIRANDA

I haven't spoken to him in months.

WILLIAM

See? He's somewhere out there drunk.

MIRANDA

He replied to Persie's text.

BEAT. William didn't know that.

WILLIAM

He did?

MIRANDA

You didn't check the texts, right?

William nods.

MIRANDA (CONT'D)

Avoiding him ---

(takes a deep breath)

--- me, won't solve our problems, Will.

William lowers his gaze.

MIRANDA (CONT'D)

I know you never admitted it, but he was a father to you. He was your father's twin brother after all.

WILLIAM

We should better cut this conversation right here.

MIRANDA

Think about what I told you about mom.

William and Miranda stare at each other for moments. Then William turns around and leaves. Miranda takes a deep breath.

FADE TO BLACK.

END OF ACT EIGHT

[Prue Brianna Johnna Halliwell]

ACT NINE

FADE IN:

EXT. SAN FRANCISCO - DAY TURNING INTO NIGHT

VIEW at the city's skyline as the sun goes down.

FADE TO:

EXT. PRESCOTT STREET - NIGHT

A lone figure walks down the street in the shadows; Trace. He stops in front of the Halliwell Manor and stares at it. He smirks and SHIMMERS out.

FADE TO:

INT. MATTHEWS / MITCHELL MANOR - LEONARDO'S BEDROOM - NIGHT

Leonardo lays on the bed. He shifts in bed trying to sleep. Unsuccessfully. He finally gives up and gets into a sitting position. Mad, he throws the pillow away.

LEONARDO

I had five years to get her off my mind. Why can't I?!

He sighs. Then he stands and walks over to the window. He stares outside.

FADE TO:

EXT. PRESCOTT STREET - NIGHT

A car, Prue's car, is pulled over in front of Halliwell manor. After turning off the ignition, Prue comes out of the car.

She contours the car and heads to the front stairs looking for the keys in her handbag, but then she stops. Sighs. Turns around and stares at Matthews / Mitchell manor.

FADE TO:

INT. MATTHEWS / MITCHELL MANOR - LEONARDO'S BEDROOM - NIGHT

Leonardo, by the window, steps back. He doesn't want to be seen.

FADE TO:

EXT. HALLIWELL MANOR - PORCH - NIGHT

Prue turns around and goes up the front stairs towards the manor's entrance.

PRUE

Five years. You had five years to take him out of your head!

She enters the house.

FADE TO:

INT. HALLIWELL MANOR - FOYER / STAIRCASE - NIGHT

Prue comes in closing the door behind her. She takes off her shoes.

SOUND - Something or someone stumbling onto something.

Prue looks up. The sound seems to come from the attic. She takes her hand into her handbag and takes an athame out of it. She walks slowly upstairs.

FADE TO:

INT. HALLIWELL MANOR - ATTIC

ON THE BOOK OF SHADOWS - It is on its pedestal.

Trace stands by a chair holding his right foot.

TRACE

Damn it!

Trace turns into his demonic form that will be known as JITUR. Taller, with predominant black skin with red markings and bald. He straightens up. He looks at the Book of Shadows and walks towards it. He reaches out his hand towards it as Prue walks in just in time to see how the Book of Shadows flies off its stand and onto the floor.

PRUE

(out loud)

Hey!

Jitur looks at her as Prue THROWS him the athame.

FADE TO:

INT. MATTHEWS / MITCHELL MANOR - LEONARDO'S BEDROOM - NIGHT

Leonardo stares through the window. It seems like he has heard something. He walks towards the bed and takes the t-shirt. He puts it on as Aiden comes in.

AIDEN

Did you hear that?

SOUND - A FEMALE SCREAM.

LEONARDO

Let's go.

Leonardo walks out followed by Aiden.

FADE TO:

INT. HALLIWELL MANOR - ATTIC - NIGHT

Prue is lying on the floor. She tries to get into a sitting position.

JITUR

You stupid witch!

Jitur walks towards Prue and creates an ENERGY BALL.

FADE TO:

INT. HALLIWELL MANOR - 1ST FLOOR CORRIDOR - NIGHT

Persephone and Priscilla come from their respective bedroom.

PERSEPHONE

What was that?

Priscilla shrugs. At that moment, Leonardo and Aiden come in. They look at one another.

LEONARDO

Are you okay?

Persephone and Priscilla nod.

LEONARDO (CONT'D)

Where's Prue?

PERSEPHONE

I think she's upstairs in the attic.

LEONARDO

Stay here.

Leonardo runs past them towards the attic.

FADE TO:

INT. HALLIWELL MANOR - ATTIC - NIGHT

Jitur smirks at Prue who's still on the floor. He is about to throw the ENERGY BALL when ---

Leonardo comes in.

LEONARDO

Hey!

Jitur glances at Leonardo. Leonardo reaches out his left hand and fires a stream of ELECTRICITY at Jitur. Jitur flies across the attic. Leonardo spots Prue and walks towards her. He lowers down and both stare at each other.

LEONARDO (CONT'D)

Are you okay?

PRUE

I had it all under control.

LEONARDO

Clearly.

They turn to Jitur as he stands. His clothes are a little burned but not a scratch on him.

Aiden comes in time to see Jitur SHIMMERING out.

AIDEN

What the hell was that?!

Leonardo helps Prue to stand.

LEONARDO / PRUE

A demon.

Leonardo and Prue look at each other. They don't realize that they are holding each other's hands.

PRUE

Thanks.

LEONARDO

My pleasure.

They keep staring at each other and holding hands.

FADE TO:

EXT. SAN FRANCISCO - NIGHT TURNING INTO DAY

AERIAL SHOTS all over the town.

FADE TO:

INT. UNDERWORLD - ALASTAIR'S CAVE - DAY

Alastair's expression is unreadable. He is staring at Trace who stands head-down before him.

TRACE

I won't fail next time.

Alastair says nothing.

TRACE (CONT'D)

I'll try again tonight.

ALASTAIR

Two men, you said?

Trace nods.

ALASTAIR (CONT'D)

They must have called for help.

TRACE

They are regrouping.

ALASTAIR

Don't fail me this time. Kill them if you must.

TRACE

Sure.

Trace SHIMMERS out.

ON ALASTAIR - He is serious.

FADE TO:

INT. HALLIWELL MANOR - ATTIC - DAY

Prue, Leonardo, Gabriel, Aiden, Miranda, Priscilla, and William are there. Prue is by the Book of Shadows turning its pages. Aiden is right next to her. The others listen as Leonardo tells them about the night before.

LEONARDO

He had this demonic face and was about to hit Prue with a ball of energy.

WILLIAM

Luckily, you arrived in time.

PRUE

(looks at them)

I had everything under control, okay?

LEONARDO

Clearly, you had.

Prue and Leonardo share a look. Gabriel stares at them curiously.

GABRIEL

Well, the important thing is that no one got hurt.

PRISCILLA

Yeah, but how are we going to sleep peacefully after this?

MIRANDA

Is there any spell in that book to secure the house?

PRUE

I'm trying to find the demon, not a spell to secure the house.

Persephone comes in followed by Pamela.

PERSEPHONE

She's here.

PAMELA

Why didn't you called me? I could help.

PERSEPHONE

I told you. Everything happened so fast. We had no time to think.

Pamela looks at Prue.

PAMELA

Are you okay?

Prue looks up from the book.

PRUE

I'm perfect.

Pamela's eyes widen as she sets eyes on the BOS.

PAMELA

Is that ---

(walks towards it; amazed)

--- the Book of Shadows?

She admires it.

PAMELA (CONT'D)

I heard so much about it. Its pages are filled.

PERSEPHONE

It happened on the night we recovered our powers.

PRUE

And the demon was after it.

LEONARDO

My mother had a Book of Shadows too. Her mother gave it to her.

WILLIAM

She was a witch?

Leonardo nods.

LEONARDO

She is. But after my father ---

Leonardo cuts himself off.

LEONARDO (CONT'D)

After the Lost, she decided not to use her magic again. That way I and my brother wouldn't feel inferior.

Prue stares at him. Then she looks back at the book. She turns another page and ---

BEAT. Prue stares at it.

AIDEN

(looking at the Book)

This is it!

Everybody turns at Prue and Aiden. Leonardo approaches them. Pamela looks at the page.

PAMELA

Ugly.

LEONARDO

Yeah, it looks pretty much like it.

PRUE

He's not the demon from last night.

AIDEN

But, Prue, he looks so much like him.

PRUE

He's not.

AIDEN

It was dark, you don't remember.

PRUE

(out loud)

I'm saying he's not.

Everybody looks at Prue.

GABRIEL

Okay, Prue, calm down. We know you are shaken.

PRUE

I'm not. Look, this cannot be the demon. This demon was vanquished years ago. Back in 2003.

GABRIEL

How do you know?

Prue lowers her gaze and takes the photo PHOEBE HALLIWELL once put in the book.

PRUE

Because of this.

She hands the photo to Aiden.

AIDEN

Who are they?

PRUE

Phoebe Halliwell and Cole Turner.

(pauses)

Cole was Phoebe's first husband.

Leonardo looks at the book at the page where the information about Cole is.

ON COLE'S PAGE.

LEONARDO

He was a demon.

PRUE

Belthazor was his demonic counterpart. He was vanquished.

Aiden hands her the photo.

PRUE (CONT'D)

He wasn't the demon from last night. But whoever it was looked a lot like Belthazor.

LEONARDO

They could be the same species.

Prue nods.

WILLIAM

How do we vanquish him?

Prue turns pages.

ON BOOK PAGE - Belthazor Vanquishing Potion page.

PRUE

There's a note here.

(reads from the book)

Upper-Level Demon Vanquishing Potion.

(looks at them)

Use his flesh.

PAMELA

Gross.

MIRANDA

Does it mean we have to wait for him to attack again so we can take his flesh?

PRISCILLA

Worse. How are we going to get closer enough to do that?

PERSEPHONE

We should train. Not only our powers but our fighting skills.

PRUE

I agree.

WILLIAM

So, what? Are we going to the academy for fighting classes?

AIDEN

I can teach you. I'm a black belt.

GABRIEL

Great, now we just need a location.

Pamela smiles.

PAMELA

I might have the perfect place for that.

They all look at Pamela. She smiles.

FADE TO:

EXT. WHITMORE MANOR - COURTYARD - DAY (LATER)

Prue, Persephone, Priscilla, Leonardo, Gabriel, William, Pamela, Miranda, and Aiden are there. All of them wear comfortable clothes for training.

On one side are Gabriel, Leonardo, William, and Pamela. In front of them are Prue, Persephone, Priscilla, and Miranda. Prue is in front of Gabriel. Persephone is in front of Leonardo. Priscilla is in front of William. And Miranda is in front of Pamela. Aiden walks between them.

AIDEN

Are we sure no one will see us?

PAMELA

Just the butler in and he knows about magic. He's from my grandparents' time. The others have got the afternoon off.

PERSEPHONE

Good, because we don't want to risk exposure.

Leonardo whispers to Gabriel.

LEONARDO

Do you want to change partners?

Gabriel shoots him a look.

GABRIEL

Are you sure you want to risk your life?

Leonardo nods.

GABRIEL (CONT'D)

Be my guest.

Leonardo and Gabriel change positions. Prue stares at them. Leonardo looks at her and smiles. She shoots him a pointed look.

AIDEN

Okay. Attack and defend. Use the movements I showed you.

Aiden walks out from the middle of them.

AIDEN (CONT'D)

Game on!

Prue, Persephone, Priscilla, and Miranda walk towards Leo, Gabriel, William, and Pamela as the last start moving too.

Prue and Leonardo stop in front of each other.

PRUE

You have a death wish, don't you?

LEONARDO

Kill me softly.

Prue punches. Leonardo ducks. Prue kicks. Leonardo twists.

Gabriel bends backward and feels Persephone's knuckles swish past his nose.

Miranda levitates to avoid Pamela's kick.

AIDEN

Well done, Miranda!

Miranda smiles and loses her balance. She falls on the ground. Pamela reaches out her hand to help her stand.

William staggers back when Priscilla slams her fist into his shoulder.

Prue high kicks again and Leonardo grabs her leg. He pulls her leg up and she takes impulse and goes around in the air, landing on the floor with both feet.

Everybody looks at her.

PRUE

Wow!

Prue smiles at Leonardo.

FADE TO BLACK.

END OF ACT NINE

[Prue Brianna Johnna Halliwell]

ACT TEN

FADE IN:

EXT. SAN FRANCISCO - DAY TURNING INTO NIGHT

SHOTS all over the town.

FADE TO:

EXT. HALLIWELL MANOR - NIGHT

No lights on the house.

FADE TO:

INT. HALLIWELL MANOR - ATTIC - NIGHT

Everything seems quiet there. There's no light on there. At plain sight it seems like no one's there, but ---

BEHIND A COUCH - Prue and Leonardo are sitting on the floor. Prue holds her athame and touches its blade with her finger. Leonardo stares at her.

LEONARDO

(whispering)

What are you doing?

PRUE

(whispers)

Just making sure it's sharp.

Leonardo shoots her a pointed look. She feels his glance on her.

PRUE (CONT'D)

(whispers)

Just trying to avoid making conversation with you.

LEONARDO

(whispers)

Why?

PRUE

Because ---

Prue's tone raises a little. She realizes that.

PRUE (CONT'D)

(whispers)

Because I don't want to talk to you.

LEONARDO

(whispers)

We are gonna have to talk eventually, you know?

PRUE

(whispers)

Do you do it on purpose?

LEONARDO

(whispers)

Do what?

PRUE

(whispers)

That accent of yours.

Leonardo smiles.

LEONARDO

(whispers)

I was born with it. Don't you like it?

PRUE

(whispers)

That's the thing. I do like it and I hate myself for liking it.

Leonardo smiles.

PRUE (CONT'D)

(whispers)

Now, don't talk to me.

Prue looks forward as Leonardo keeps starring at her. He smiles.

At the same time, Persephone and Gabriel hide behind some boxes across the place where Leonardo and Prue are. They also whisper.

GABRIEL

(whispers)

Do you think he's gonna show up?

PERSEPHONE

(whispers)

He'd better. We are prepared.

GABRIEL

(whispers)

As prepared as we could be. Do you think Alastair has something to do with this demon coming here for the Book of Shadows?

PERSEPHONE

(whispers)

That crossed my mind. But who knows?! Magic has returned to our family, so maybe with great magic comes great threats.

GABRIEL

(whispers)

Makes sense.

They stay a few moments silent.

GABRIEL (CONT'D)

(whispers)

What do you think of Leo?

PERSEPHONE

(whispers)

What do you mean?

GABRIEL

(whispers)

I mean, as a person.

PERSEPHONE

(whispers)

I like him. He seems to be a good person. Besides, he saved my sister last night.

GABRIEL

(whispers)

Yeah, that's the thing.

PERSEPHONE

(whispers)

How so?

GABRIEL

(whispers)

I can't help thinking that there's something there. Since we've met him that I have the feeling that he and Prue knew each other.

PERSEPHONE

(whispers)

If so, why wouldn't they say?

GABRIEL

(whispers)

I don't know.

Persephone shakes her head.

PERSEPHONE

(whispers)

No, I don't think they knew each other.

GABRIEL

(whispers)

I've caught some glances between them.

Persephone looks at Gabriel.

PERSEPHONE

(whispers)

Wait. You think there's something between them?

Gabriel shrugs.

PERSEPHONE (CONT'D)

(whispers)

No. She would tell us.

GABRIEL

(whispers)

Would she?

Persephone and Gabriel look at each other.

GABRIEL (CONT'D)

(whispers)

Should we talk to her?

PERSEPHONE

(whispers)

I know her. If we get our noises in her life she'd freak out. Don't you dare to get the whole big brother persona on her!

GABRIEL

(whispers)

Well, the three of you are like sisters to me. I worry about you.

PERSEPHONE

(whispers)

I know, Gabs, but this is Prue we're talking about. We keep an eye, we don't mess with it.

GABRIEL

(whispers)

If you think that's the best thing to do.

Persephone nods.

GABRIEL (CONT'D)

(whispers)

Okay.

FADE TO:

INT. HALLIWELL MANOR - 1ST FLOOR CORRIDOR - NIGHT

The others are there; Priscilla, Miranda, William, Pamela, and Aiden. They are waiting.

MIRANDA

I wonder if he's really coming.

WILLIAM

We are counting on that.

PRISCILLA

I wish I could have a premonition to make sure.

PAMELA

Why don't you try?

Priscilla glances at Pamela.

PRISCILLA

I can't have a premonition at will.

PAMELA

Not without training. Just like our others powers.

AIDEN

Girls, let's stay silent. The idea is to catch the demon by surprise.

They keep quiet.

FADE TO:

INT. HALLIWELL MANOR - ATTIC - NIGHT

The book is on its pedestal. Jitur SHIMMERS in. This time he chose to appear in his demonic form.

From behind the boxes, Persephone and Gabriel have a view through an open space between the boxes. They see him. Gabriel signs her to move.

Persephone stands and WAVES her hands. Jitur seems FROZEN.

PERSEPHONE

(excited)

I did it!

Prue and Leonardo stand. Gabriel and Persephone come from behind the boxes.

GABRIEL

Quickly, the flesh.

Prue walks towards Jitur, but then he moves. Sees Prue from over his shoulder. WAVES his hand and THROWS her TELEKINETICALLY flying in the air. Prue hits a wall and falls down the floor.

PERSEPHONE

Prue!

Jitur WAVES his hand again and THROWS Persephone and Gabriel towards the boxes. Leonardo MOVES his hands and fires a stream of ELECTRICITY towards Jitur. Jitur moves aside and he's not hit.

Prue stands. Persephone and Gabriel stand. William and Aiden come in followed by Priscilla, Miranda, and Pamela. Not thinking twice, Miranda runs towards Jitur and high kicks him LEVITATING at the same time. After recovering from the kick, Jitur WAVES his hand again and THROWS Miranda flying across the attic. Jitur CREATES an ENERGY BALL and TROWS it towards the others. Aiden DEFLECTS it back to Jitur who moves aside not to be hit. Jitur SHIMMERS out. For moments they think he's gone, but Jitur SHIMMERS back in front of Aiden and holds him by his shirt. He THROWS Aiden against the others.

PRUE

Hey!

Jitur turns to Prue. She gestures trying to use her powers on him, but it doesn't work.

PERSEPHONE

Prue?

PRUE

I can't.

Jitur smirks. He turns around, WAVES his hands, and THROWS Persephone, Gabriel, Priscilla, Miranda, William, and Pamela back. Then Jitur turns to Leonardo and Prue. Prue keeps gesturing but nothing happens. Leonardo gestures again and fires another stream of ELECTRICITY towards Jitur. This time, Jitur is hit. Leonardo tries hard to hold him as Jitur screams in pain.

PRUE (CONT'D)

I can't.

LEONARDO

I can't hold it any longer.

The others try to stand.

LEONARDO (CONT'D)

(out loud)

Alex!

Prue looks at Jitur. Her expression hardens.

PRUE

My name is ---

(out loud)

Prue!

She REACHES out her hands and, using an advanced form of TELEKINESIS (TELEKINESIS MOLECULAR COMBUSTION), Jitur flies towards the wall behind him, as well as some other furniture in the attic. Some of them almost hitting Priscilla, Miranda, Persephone, Gabriel, Aiden, Pamela, and William. Aiden REACHES out his hand and tries to deviates as many pieces as he can.

Prue glances at her hands. Leonardo looks at her. Jitur is on the floor.

PERSEPHONE

Prue, the athame.

Prue lowers down taking the athame from the floor and throws it towards Persephone who catches it easily. She rushes towards Jitur who is recovering and cuts him in the shoulder. Jitur groans and SHIMMERS out.

They all look at one another.

PERSEPHONE (CONT'D)

I've got it.

Miranda takes a piece of a broken vase.

MIRANDA

(approaching Persephone)

Put it here.

Persephone puts the flesh on the piece of the vase. Prue stares at her hands. Leonardo approaches her.

LEONARDO

Are you okay?

PRUE

What was that?

The others look at Prue.

PRUE (CONT'D)

I cause an explosion.

LEONARDO

We don't understand our powers just yet, but we'll figure it out, okay?

Leonardo and Prue look at each other. She nods, but still seems shaken. He hugs her. She hugs him back. Persephone and Gabriel look at each other. Gabriel gives her an 'I told you so' glare.

FADE TO:

EXT. SAN FRANCISCO - NIGHT TURNING INTO DAY

SHOTS all over the town at the sound of 'All About Us' by t.A.T.u.

Several places all over the town are being shown as the music plays in the background.

FADE TO:

INT. UNDERWORLD - ALASTAIR'S CAVE - DAY

MUSIC FADES OFF.

Benni stands in front of Alastair.

ALASTAIR

Where is him?

BENNI

I don't know, my Lord.

ALASTAIR

He failed again.

BENNI

Do you want me to look for Jitur?

ALASTAIR

Immediately.

Benni bows and then he turns to leave.

ALASTAIR (CONT'D)

They'll pay me. I took their powers once. I'll do it again. But this time I'll send them all to hell.

He means it.

FADE TO:

EXT. PRESCOTT STREET - DAY

Leonardo is outside Matthews-Mitchell manor as the moving van is driven away. Then he stares at the Halliwell manor. He crosses the road towards it.

FADE TO:

INT. HALLIWELL MANOR - FOYER - DAY

Persephone opens the door. Leonardo is there. He smiles at her.

PERSEPHONE

Hey!

Leonardo smiles at her. Gabriel comes from the living room.

GABRIEL

Hey, man. How was the move?

Persephone signs him to come in. He does and then closes the door.

LEONARDO

Luckily, I didn't have too many things. I had to put the bed and the sofa on the basement.

PERSEPHONE

You don't know when you're gonna need a new bed.

Persephone smiles.

LEONARDO

How is she?

Prue. He means Prue. Persephone and Gabriel share a look.

PERSEPHONE

Locked in her bedroom. Just took her a cup of coffee. She just left to go to the attic and return.

LEONARDO

And the potion?

PERSEPHONE

Well, I just need to find the page in the book where the spell is.

LEONARDO

Haven't you?

Persephone shakes her head.

GABRIEL

Prue has the book with her. She might be trying to find anything about that power in there.

LEONARDO

Can I check on her?

PERSEPHONE

Sure.

Persephone signs him to go upstairs.

PERSEPHONE (CONT'D)

You'll know which's the door when you see it.

Leonardo nods and heads upstairs. Persephone and Gabriel watch him. Once he's gone, Gabriel and Persephone look at each other.

GABRIEL

I told you. There's something there.

PERSEPHONE

There might be, but I don't believe they knew each other from before.

GABRIEL

Do you want me to ask him?

Persephone shoots him a look.

PERSEPHONE

I told you, don't play the big brother.

GABRIEL

I have to. You're the only sisters I've got.

Persephone walks past him into the living room. Gabriel follows.

FADE TO:

INT. HALLIWELL MANOR - PRUE'S BEDROOM - DAY

Prue is sitting on the bed. A few books are opened before her, the Book of Shadows is one of them. She writes something down on a notebook.

SOUND - A knock on the door.

Leonardo peeks inside.

LEONARDO

Hey!

Prue raises her glare from the notebook and looks at him.

PRUE

Leo!

Leonardo smiles. He comes in.

LEONARDO

(closing the door)

I came to check on you.

PRUE

I'm fine.

Leonardo looks at the books.

LEONARDO

Are you?

Prue takes a deep breath.

PRUE

I need to find out what happened last night. I remember having powers before and none of them was capable of destroying an entire room.

(sighs)

Besides, cleaning after a mess is not the best thing to keep me occupied.

Leonardo sits on the bed and stares at her.

LEONARDO

I'll help you clean if you want.

Prue smiles at him. He smiles back. Then he reaches out his hand and takes hers.

LEONARDO (CONT'D)

And then we'll find out what power is that.

PRUE

Thanks.

Leonardo glances around.

LEONARDO

So, this is Prue Halliwell's bedroom.

Leonardo stands and walks over to the window. He looks through it.

LEONARDO (CONT'D)

Funny. It has a view of mine.

PRUE

(disguising)

Seriously? I didn't notice it.

Prue hides a smile. Leonardo smiles as he stares at her.

FADE TO:

INT. HALLIWELL/COOP MANOR - MIRANDA'S BEDROOM - DAY

Miranda is putting some clothes on the wardrobe.

SOUND - A knock on the door.

MIRANDA

Come in.

The door opens and William comes in.

WILLIAM

Hey.

MIRANDA

Hey, big bro. I thought you were at work.

WILLIAM

I just called in sick. I'm gonna help to clean that mess in the attic.

MIRANDA

I'll finish here and I'll be joining you.

William nods. He turns to leave but doesn't. He turns to her.

WILLIAM

About the things you said ---

Miranda stops what she's doing and looks at him.

WILLIAM (CONT'D)

What did you mean by 'she was forced to'?

Miranda lowers her gaze. Then she looks at him.

MIRANDA

I suspect mom was taken by a demon.

William's eyes widen.

WILLIAM

Come again.

Miranda nods.

FADE TO:

INT. MATTHEWS / MITCHELL MANOR - FOYER - DAY

Aiden walks towards the front door. He opens it. Pamela is there.

AIDEN

Hey!

PAMELA

It's there a place for me to crash in?

Aiden's eyes widen.

AIDEN

What happened to Whitmore manor?

PAMELA

Until I don't get a teleportation power, I don't want to be far away from the action.

AIDEN

We have two bedrooms left.

PAMELA

I'll take them both.

Pamela walks in.

AIDEN

Both?

PAMELA

Yes. I believe both bedrooms are small, so I sleep in one and turn the other into my wardrobe.

Aiden is wordless.

FADE TO:

INT. HALLIWELL MANOR - PRISCILLA'S BEDROOM - DAY

Priscilla is at her desk. She stares at an envelope in her hands.

PRISCILLA

It's the best thing to do.

She stands and puts the envelope into her handbag. Then she walks towards the door. As she puts her hands on the door handle she is taken into a PREMONITION.

FLASHES TO:

INT. HALLIWELL MANOR - PRISCILLA'S BEDROOM - DAY (PREMONITION)

The images are black and white.

She sees Jitur holding her neck as he lifts her from the floor. Priscilla can't breathe.

PREMONITION ENDS.

FLASHES BACK TO:

INT. HALLIWELL MANOR - PRISCILLA'S BEDROOM - DAY

Priscilla is open-eyed.

PRISCILLA

Crap!

She drops her bag and rushes out of the bedroom.

FADE TO:

INT. TRACE'S APARTMENT - BEDROOM - DAY

Trace is lying on the bed. He seems to be in pain. He is hurt in the shoulder. His shoulder is covered in blood.

TRACE

Damn it!

He covers his shoulder with his hand again.

FADE TO:

INT. P3 - DANCING FLOOR / BAR - NIGHT (LATER)

The bar is not that crowded. There are a few people dancing on the floor, but there's no DJ or band playing. The music comes from the music equipment.

Gabriel, William, and Persephone are behind the counter. Aiden, Pamela, Priscilla, and Miranda are sitting by the counter on the high bar chairs. Priscilla seems down.

PERSEPHONE

Sis, we are gonna stop that from happening.

PRISCILLA

The most passive power one can have and I use it to see this freaky demon killing me.

WILLIAM

Don't be so dramatic, Pris. You saw it, now we can prevent it.

PAMELA

True.

GABRIEL

Now, have fun. We opened the bar tonight for you to cheer up.

PERSEPHONE

We might start opening it on Mondays.

GABRIEL

You need to ask the boss first.

Persephone smiles.

MIRANDA

Why didn't they come? Prue and Leo?

PERSEPHONE

Prue wasn't feeling alright.

AIDEN

And Leo had to unpack.

PAMELA

Their lost.

They smile. Then they all head to the dance floor.

FADE TO:

INT. HALLIWELL MANOR - PRUE'S BEDROOM - NIGHT

MUSIC STARTS PLAYING - 'You and Me' by Lifehouse.

Prue, wearing a nightgown, paces the place. She seems nervous. She sighs. Walks over to the window and glances out. Then she moves away from the window.

PRUE

Damn it, Prue. You're in big trouble.

She looks at herself on the mirror.

PRUE (CONT'D)

You're Prue freaking Halliwell. You can do it.

Prue walks over to the bed and takes the robe. She puts it on.

FADE TO:

INT. MATTHEWS / MITCHELL MANOR - LEONARDO'S BEDROOM - NIGHT

MUSIC KEEPS PLAYING IN THE B.G.

Leonardo comes in and glances around. He sighs. He is shirtless.

LEONARDO

Done.

Leonardo turns off the light. The lamp on the bedside table is on. He walks over to the window and glances through it.

LEONARDO (CONT'D)

Of all women in the world ---

(sighs)

--- it had to be you.

SOUND - A KNOCK on the door.

Leonardo turns around and walks towards the door. He opens it and ---

BEAT. Prue stands there in her nightclothes. Leonardo is surprised.

LEONARDO (CONT'D)

Prue? Something wrong?

Prue is nervous.

PRUE

I --- I just wanted to thank you.

LEONARDO

What for?

PRUE

Helping cleaning the attic. For saving me the other day. For pushing for me last night.

LEONARDO

I called you Alex.

PRUE

I'm not her. I'm not that Alex.

(opens her arms)

I'm Prue. Just Prue.

LEONARDO

Just Prue.

Both of them stare at each other. Prue is wordless.

LEONARDO (CONT'D)

Well, I'm sorry for what I said the other day. I was mad.

PRUE

You had your reasons and I was lost. Broken. I still am.

LEONARDO

Yet, I shouldn't have said it. It's not what I think.

Prue nods.

LEONARDO (CONT'D)

Would you like to come in, just Prue?

Prue nods. He reaches out his hand for her to take it. She does. She comes in. Leonardo closes the door. Then he hugs her from behind and plants a kiss on her neck. She closes her eyes and bites her lower lip.

LEONARDO (CONT'D)

You are dazzling.

PRUE

Charming that accent of yours.

He turns her around. Both look each other deeply in the eyes and then both kiss passionately.

FADE TO:

INT. HALLIWELL MANOR - ATTIC - NIGHT

MUSIC KEEPS PLAYING IN THE B.G.

The Book of Shadows is on its pedestal.

ON THE BOOK OF SHADOWS - The Triquetra SHINES.

A soft wind comes from the windows and spreads into the house.

FADE TO:

EXT. HALLIWELL MANOR - PORCH - NIGHT

MUSIC KEEPS PLAYING IN THE B.G.

The wind CLOSES the door in a magical way... Or wasn't it just wind?!

MUSIC FADES OFF.

FADE TO BLACK.

END OF THE EPISODE